A darker, industrial and imaginative version of the visceral love story.

Fluid movements, diamond shapes and camouflage leotards

Not for the faint of heart.

A spectacle of skill and showmanship.

A journey through time led by dance, art and sound.

Pros: The thought that went into the movement, the production, set, music, costume. Brilliantly executed, bringing serious topics to the forefront to force us as a society to address them. Cons: Although the movement was amazing to watch, at points it repeated the ‘puppetry’ physicality a bit too much. Jasmin Vardimon and her company’s work are all about making the body political. Justicia comments on the injustice in our legal system. 7734 was representative of Vardimon’s own experience as a ...

  Pros: A programme of finely tuned and fast-paced choreography which elicits technical and musical prowess. Cons: A characteristic as much as a con, but a little too repetitive in movement terms. This programme marks Richard Alston’s fiftieth year as a choreographer, so what better to way to celebrate than by presenting an evening which combines new work alongside extracts of that which spans the last five decades. We start with the new Cut and Run by Associate Choreographer and ...

90-minutes without an interval and eighteen chapters make the production difficult to follow. Although there are magical moments, the piece feels self-indulgent and exhausting.

Sisters Grimm co-founders Pietra Mello-Pittman and Ella Spira tell us about evoking the Brazilian rainforest through dance in 'Voices of the Amazon'.

Well-choreographed and well-performed, this stunning evening is contemporary dance at its best.