An enjoyable short play, exploring the effect of words and language, that is both funny and thought provoking.

Michael Wynne on his play Cuckoo, playing at Royal Court

Verbatim accounts of prejudicial behaviour battle against a range of racist slurs and stereotype.

In an entertaining if muddled evening, this play tackles challenging subject matter using dark humour and inventive storytelling.

As someone who has always found escape within music, Poet in da Corner was a show that had immediate appeal to me. With its central theme of finding purpose and meaning after just one listen to Dizzee Rascal’s ground-breaking album ‘Boy In Da Corner’, it also felt a perfect fit for the always progressive Royal Court Theatre. The good news is that it just about ticks all the boxes. The person finding purpose and meaning is writer and performer Debris ...

A one act play that could be a modern-day Kafka

Brilliant. A thoughtful exploration of the political structure that forms our society, supported by extraordinary acting, direction, and a disturbingly animated set.

A hilarious take on human foibles and the stories we tell ourselves about the world, Still No Idea will jolt you out of complacency just when you are crying with laughter.

Pros: Excellent performances from all concerned. Cons: The fragmented style of the dialogue.  Ominous music pervades the auditorium as you enter, and the stage is filled by an opaque screen which resembles a giant TV. Shadowy figures walk up to the screen and look out at the audience before disappearing into the murky background. The piece is just over two hours, without interval, consisting of three distinct parts. Part one is a series of vignettes where most of the 16 strong ...

A typically gritty portrayal of life in the finest tradition of northern playwrights.