Director Phil Willmott talks criticism, directing at The Scoop and bringing Arthur Miller's 'Incident at Vichy' back to the stage.

An uninhibited, non-judgmental look into the world of chemsex crammed with human experience and empathy, but occasionally loses pace through the frequency of the anecdotes.

This is your chance to win tickets to see Holy Crap at The Kings Head Theatre. To enter simply retweet one of our Holy Crap competition tweets before 3rd June, 5pm AND tell us what your guilty pleasure is.   #competition: Felling sinful? Win tkts to Holy Crap. retweet by 5pm 3/6/17 and tell us your guilty pleasure @HolyCrapMusical @KingsHeadThtr pic.twitter.com/zqn8mr2LVs — Everything Theatre (@EveryTheatre) May 28, 2017   Nick Thompson Productions present Holy Crap – Kings Head Theatre 7th ...

Pros: Hilarious performances, beautiful singing and outstanding design. Cons: Without an orchestra some of Mozart’s magic is lost. Walking through a charming pub straight into a small pocket of the South American jungle isn’t how most would expect to start a night at the opera. Fortunately for us, Charles Court Opera’s production of The Magic Flute at the King’s Head Theatre refreshingly does away with rows of seats, facing a stage, overlooking an orchestra, and puts us firmly in the thick of it. Simon ...

While the bones of a decent plot were abandoned early on, there is no denying the entertainment value in a confident and supremely energetic production.

Infinitely more enjoyable than many West End productions, How to Succeed is an ambitious and triumphant revival with an excellent cast.

The script never quite matches the promise of the plot and lacks real belly laughs, but a bright and talented cast sees it through to a satisfactory conclusion.

An accessible production with some captivating performances.

Pros: An immensely likable performance from Maddie Rice, making light of a demanding script. Cons: A story told in flashback wasn’t easy to follow at times. There are times when we get things wrong in our job.  The consequences are, for the most part, negligible: embarrassment, a knock to our confidence or maybe the loss of a bonus.  But what happens if an error changes someone’s life beyond all recognition?  That’s the conundrum posed by Villain, a one act monologue featuring social worker ...

An intelligent and at times, raucously funny tale of a boy discovering his sexuality.