Cameron Corcoran on taking Wolf to Camden Fringe 2022.

Clear talent in the cast and in particular in Whinney’s script.

An ambitious and fascinating concept.

funny and layered Eurovision play.

A powerful and menacing portrayal of the reality of psychological bullying.

A pleasant show with plenty of potential

Overcomplicated one-woman show about adoption.

A play that seems to have everything right, from performance to sound to script

Aidan Morris’ performance is simply remarkable and Aurelia Gage’s script is riveting.

Something unique and bizarre that makes for perfect end of the night viewing.