Discussing Until She Sleeps with writer Brad Sutherland
Step into a world where tension simmers beneath the surface, and the familiar dynamics of a relationship unravel in unexpected ways. Brad Sutherland’s Until She Sleeps promises audiences a gripping journey through the highs and lows of a marriage, mixing high drama, dark humour, and moments of surrealism. Set at the White Bear Theatre, this intimate exploration of human connections offers a unique theatrical experience that will challenge perceptions and linger long after the final curtain falls.
Welcome to Everything Theatre. Let’s start with introductions.
I’m Brad Sutherland, the writer of this play.
So where will Until She Sleeps be playing?
We’re performing at the White Bear Theatre. We chose it because of its great location – right opposite Kennington Tube station, which makes it easily accessible. The bar is large and has a lovely, cozy atmosphere (think of the Danish word “hyggeligt,” which is becoming popular in English). Additionally, reviewers tend to like this venue, and the owner, Michael Kingsbury, has been incredibly supportive. The White Bear is known for sell-out shows, and that’s fantastic for both the cast and the theatre.
What can audiences expect from the show?
Audiences can expect tension, high drama, and a few laughs to lighten the mood. It’s a rollercoaster that also raises important questions about human relationships, especially in the context of a romantic relationship like marriage
What was the inspiration behind the show?
I’ve always been fascinated by what goes on behind closed doors—whether it’s a couple that appears to be in love but secretly tears each other apart, or a comedian who makes people laugh in public but feels lonely at home. Exploring those dynamics inspired this play.
How long have you been working on this play?
The first draft was written in about three weeks, but revisions after a few readings took another eight months. When I have an idea, the play often writes itself. However, distilling it to its core subject—killing those “darlings”—is what takes time. That final 5% that makes a play stand out takes 95% of my time!
What do you hope the audience will take away from the show?
I hope they are entertained but also challenged by the contradictions of a familiar relationship dynamic. The play explores those familiar themes with a touch of something surreal.
Who do you imagine will enjoy the show the most?
Though the characters are a couple aged 47 and 61, this play is for adults of all ages. I don’t think there’s a specific demographic that will enjoy it more than others—it’s universally relatable
Is this going to be the show’s first time on stage?
Yes, at a commercial venue. We did a script-in-hand performance in front of about 60 people in July 2023, but this is its first full staging.
What comes next after the show’s run?
We’re expecting a few production companies to attend, so we’re hoping for a transfer to a larger venue. The play has widespread commercial appeal, and we’re optimistic about its future.
What are the most important lessons you’ve learned?
In writing, the biggest lesson I’ve learned is to stay fully engaged with the subject matter. Don’t let anything, no matter how entertaining or poignant, distract from the central theme.
Describe a magical or transformative moment during the production process.
The first time I wrote the lines for Edward Dunbar and his wife, Henny. I remember being in Denmark with my family at Christmas 2022, writing some of their dialogue, and feeling that this was some of my best work.
If your show had a soundtrack, what songs would definitely be on it, and why?
The music is set to cello, played by a modern band. The cello gives the play the perfect mood – it’s atmospheric and can emphasize a wide range of emotions through tempo and tone.
If you could perform this show anywhere in the world, where would it be and why?
The Sam Wanamaker Theatre, lit by candlelight. I think it would be a magical setting for this play.
If you could have any special guest (living or dead) attend your show, who would it be and why?
I’d choose Dave Murray, the guitar player, who has been my hero since childhood. But honestly, my dad, who passed away when I was young, would be my first choice. Just kidding—he’d be first for sure.
Thank you Brad for sharing with us. Until She Sleep will being playing at the White Bear Theatre between the 5th and 16th November. Further information and tickets are available here.
