Some good new writing, but it wasn’t entirely clear why the piece has been revived into the modern day.
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Carthage, Finborough Theatre – Review
A thought-provoking, darkly witty and unflinching comment on the care system. Book your tickets right now!
Read More »97 Years, Battersea Arts Centre – Review
This piece offers a very personal experience to each audience member of a relationship between grandfather and granddaughter.
Read More »The Golden Dragon, The Drayton Arms Theatre – Review
A distinctive, absurdist play which provides fresh insight into the plight of global migrants. However, the lack of tightness and deftness compromises the comedy and emotion of what is quite a touching story.
Read More »We, Macbeth, Theatro Technis – Review
This is a play about the men behind the curtain. It gives an alternative, and deeply disturbing theory on events that have shaken American politics since the 60s. A must if you’re a fan of conspiracy theories, and the secret games of the powerful.
Read More »A World Elsewhere, Theatre503 – Review
An interesting play which captures a moment in history through the eyes of the privileged.
Read More »London’s West End: Vibrant or Violent?
Crime novelist M. G. Scarsbrook digs through the glitz and glamour to explore the dark side of London's most popular tourist destinations.
Read More »Fiji Land, Southwark Playhouse – Review
Despite its powerful visuals and intriguing premise, this allegory of a pot plant nursery as a concentration camp fails to engage or provoke.
Read More »New Beginnings, The Horse & Stables Theatre – Review
A good showcase for new talent but could do with more cohesion.
Read More »The Factory: changing the rules of theatre?
Emma Shone speaks to Tim Carroll, the director behind the all-male version of Twelfth Night starring Mark Rylance and Stephen Fry, about his latest project at the helm of The Factory's Odyssey.
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