This piece offers a very personal experience to each audience member of a relationship between grandfather and granddaughter.
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How to be Immortal, The Albany – Review
Death, love and DNA are the subjects of this touching, sometimes funny play, which combines acting, live cello music based on DNA code, and beautiful animation of cells dividing before your eyes.
Read More »The Golden Dragon, The Drayton Arms Theatre – Review
A distinctive, absurdist play which provides fresh insight into the plight of global migrants. However, the lack of tightness and deftness compromises the comedy and emotion of what is quite a touching story.
Read More »Blasted, The Old Theatre (LSE) – Review
Some good moments, but lacked consistency. A brave production.
Read More »Fallen Angels, The Rose Theatre – Review
The perfect opportunity for journeying back to the theatre world of the 1930s. Hysterics ensured with these two saucy ladies.
Read More »Straying in Seattle, White Bear Theatre – Review
Some excellent talent on show; the second piece is very funny but the first is mismatched and misjudged.
Read More »A Fool’s Proof, The Vaults – Review
A witty, refreshing production on the media’s emphasis on sensation over truth that beautifully combines acting with live music, movement and puppetry.
Read More »Half A Person: My Life As Told By The Smiths, Kings Head Theatre – Review
Belying the show’s title, ‘Half a Person’ would appeal to not only Smiths fans, but also those not so familiar with their music.
Read More »Doing the Business and Blind – A Double Bill, The Courtyard – Review
Visceral, angry monologues express strong points of view about money in the art world. Both plays are heartfelt and well-acted, but corner themselves in extremes.
Read More »Shang-a-Lang, King’s Head Theatre – Review
A funny show with great acting and comic timing. Deals with coming to terms with ageing without sentimentality.
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