An interesting take on a Victorian exploration of gender and class.
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Zanna, Don’t!, Landor Theatre – Review
High camp – this fab musical is all sequins, rainbows and fun.
Read More »Rhesus, Trinity Buoy Wharf – Review
This is a showcase of students coming to the end of their training where few stand out, but it is a play with a clear, effective concept and an ensemble that invest a lot of effort.
Read More »Olaudah Equiano, The Enslaved African, Hen and Chickens Theatre – Review
An interesting and informative but all-together too short and incomplete production.
Read More »The Ted Bundy Project, Ovalhouse Theatre – Review
This gripping, sweetly savage performance lures you in with its uneasy charm.
Read More »This Is How We Die, Ovalhouse – Review
The show is meant to teach you that language is dead, but Christopher Brett Bailey articulates some very challenging ideas in such an articulate manner that it makes that statement hard to believe.
Read More »Lysistrata, The Electrician’s Shop – Review
Pros: Passionate performances and some great physical comedy. Cons: The action was sometimes too chaotic to follow. It’s a rare sight to be met by a marching army on an otherwise ordinary walk down a disused road to the theatre venue. The abandoned quality to the Trinity Buoy Wharf on the East India Docks made me wonder whether there really was an army barracks close by. Yet this unconventional welcome from the Fourth Monkey Ensemble is one among many signs ...
Read More »Be Here Now, Shoreditch Town Hall – Review
An affectionate, visceral look back at the iconic music of the performers' formative years.
Read More »Half A Can Of Worms, RADA Studios – Review
Amazingly poignant story, told with style and wit by a skilful exponent of the stand up genre.
Read More »The Devil and Stepashka, The Space – Review
A valiant effort to tackle a difficult subject of broken trust, injustice, and desperation, but rather than moving the heart it left behind a bitter taste in the mouth.
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