A haunting, passionately performed, and accessible all-female adaptation of a Greek tragedy.
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Terra, The Coronet – Review
A truly immersive and captivating piece from Hubert Essakow's trilogy that draws your attention from start to end through strong choreography and excellent use of the space.
Read More »What I Learned From Johnny Bevan, Soho Theatre – Review
This is a whirlwind hour of delectably angry poetry that tells a pertinent story and is delivered with an enthralling vigour.
Read More »Out-Spoken, The Forge – Review
An eclectic and impressive collection of spoken word, poetry and music - a sumptuous night out.
Read More »Theatre in the Pound, The Cockpit Theatre – Review
The Cockpit's monthly night of work-in-progress is the theatrical equivalent of a bag of pick and mix – fun, sweet, and full of variety.
Read More »Happiness is a Cup of Tea, Vault Festival – Review
A courageous performance of a deeply emotional theme, told with a unique voice. Annie McKenzie’s creative exploration of grief, relationships and purpose is a show to look out for, and with some bolder stylistic decisions, could become unmissable.
Read More »Firebird, Trafalgar Studios – Review
This is a brave, well-intended and well executed production: the creative team are clearly invested, highlighting the issue of child abuse in a meaningful way.
Read More »One Festival Programme A, The Space – Review
A marvellous visual journey to the moon, guided by a talented physical performer.
Read More »The Devil Speaks True, Vault Festival – Review
This attempt at immersive theatre is well-intentioned but unfortunately lacks clarity of message
Read More »Mirrors, Rosemary Branch Theatre – Review
An amusing, well paced show that would benefit from a more coherent theme or plot to steer the audience through the various threads and thoughts.
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