An ambitious, if occasionally incoherent, production.

Misses the mark on Fo’s biting, dark comedy.

A pioneering piece of theatre with a provocative script that promises maybe a little too much.

60 minutes of genius writing that is not to be missed.

Ng Choon Ping's forward-thinking production of this Marlowe classic struggles to overcome the limitations imposed by an insufficient cast and the Elizabethan language.

Pros: An alternative night out, in a house that’s a real treat for Grand Designs fantasists Cons: Far too long to support the story line presented I have never attended an immersive theatre show that lasted much longer than an hour. I believe there is a reason for this; a time limit creates stakes. Unfortunately, Suicide at Vine House clocks in at over two and a half hours and by the end of the show my enthusiasm was waning. Furnished with an address and ...

An exhibition of a performance. Fast paced and slightly overwhelming at times. Promises Hollywood drama and delivers it in spades.

A top notch play and incredible one man performance, all let down by issues with the staging. If you go, don't sit down the sides.

Pros: Gorgeous visuals, fascinating live score, welcoming atmosphere Cons: Time constraints made some episodes of the story hard to follow Tucked right at the top of Portobello Road under the Westway flyover, Acklam Village Market isn’t the easiest place to find if you’ve not been there before. But once you do, it’s worth the trek – a red iron gate opens rabbithole-like into a bustling wonderland of streetfood stalls packing up for the night, theatre-goers arriving and a warm welcome ...

Even with the touch of Sondheim this is heavy going, but still manages to shine with some pleasing performances.