A thought provoking production that will have you walking away from this perfectly stripped down theatre feeling empowered.

A powerful and poignant story of three generations of women who struggle with suicide.

Pros: The cast, the live music and the great use of integrated sign language. Cons: Pete Townshend – bloody good songwriter, questionable grasp on narrative structure. Ramps on the Moon is a long-term collaboration between a number of theatres and theatre companies, whose collective aim is to create shows that are accessible by and inclusive of people who are d/Deaf, disabled and visually impaired. In their latest outing, The Who’s 1969 rock opera Tommy is given a vigorous makeover that ...

Blending sensitivity, social commentary and a very British sense of humour, Kiss Me is Richard Bean’s inter-war history lesson with heart. Convincing performances and a cocktail of emotions cancel out the minor irritations, making this play one to watch.

The cast is good, and there are some tender and comic moments, but overall this production fails to make much impact.

A thought-provoking new play which depicts Africa's longstanding issues and clichés with a good balance of comedy and drama.

Two classically written tales performed through stylised macabre.

Refreshing dissection of serious subject matter by a talented young cast.

A mime comedy show blending the styles of Buster Keaton and the Marx Brothers, Tape Face provides a selection of updated, not-so -silent film, silliness.

  Pros: A compelling central performance from Corey Montague-Sholay who gives feeling and depth to his role as narrator, and a story that grips when allowed space to do so. Cons: Too much distracts from the central story, for the sake of cleverness. Heading to the Bunker tonight just felt so surreal that it surely had to affect my views on this show. For those who are unaware of this highly unique theatre in a converted underground car park: it ...