A haunting piece of theatre on human behavior that will stay with you.

A solidly entertaining production that sometimes tries too hard to underline the play’s contemporary relevance.

Pros: Elegant, clever, playful choreography. Cons: Only thirty minutes long – perfect for the fringe, belongs in a joint billing elsewhere. Choreographer Roy Assaf’s open, flexible style of working has resulted in a confident collaboration with National Dance Company Wales which shimmers from within like a well-cut diamond. A brief 30 minutes long, the piece probes at our desire to create meaning, which might easily result in something vague and pretentious elsewhere but is approached here with light-hearted clarity. A ...

An entertaining night that will leave you charged with positivity and high sex appeal levels. 

An epic condensed down to its bare bones and effectively told; a good retelling.

Side holdingly, eye wipingly funny, gloriously uncut production of a rarely staged masterpiece of humour and language.

Pros: The sing-along moment that shows in practical terms the process of dopamine release that the play is all about. Cons: With its hour-long running time, this lively show left me wanting more. When we do something we like, our system produces dopamine, a substance that – as they illustrated by having us sing along during the performance – ‘rewards your brain and numbs your pain, provides the feeling you adore and keeps you coming back for more’. Fix is a ...

Pros: Outrageously funny. Cons: The brazen jokes about sex and religion are for an adult audience. Whore: A Kid’s Play is not a comedy for the faint-hearted. Exploring serious matters like family, religion and sexuality through the eyes of three thirteen-year-olds, it uses the outrageous language of the cool kids from the block and it’s stuffed with jokes that’ll make you cringe before making you laugh out loud. ‘My dad wants to send me to catholic school to avoid getting pregnant’, states ...

Pros: Apphia’s mellow storytelling and powerful singing are a perfect combination. Cons: Some background knowledge of African-American history is beneficial. Opening with a live cover of the popular jazz song St. Louis Blues, Woke moves the audience with a tale of two lives which run 42 years apart and are interwoven into a powerful solo show by Apphia Campbell. In 1971, New York-born Joanne Chesimard, rejects her “slave name” and becomes Assata Olugbala Shakur. As a member of the Black Liberation Army, ...

An emblematic and visually strong play about female victims of abuse; prepare yourself to be shaken.