A more than fine cast do their best, and for a certain audience, this may be a great night out, but for those after a more modern show, this really isn’t for you.

Coinciding with the 50th anniversary of the 1967 Sexual Offences Act, this is a nuanced and moving revival of a play last seen almost 60 years ago.

A glorious and timely tragicomedy that explores homosexuality, and its decriminalisation, as seen through the eyes of teenage boys full of hormones and rage.

Not only a celebration of MacMillan and his work, but also of drama and exceptional dancing.

A one-of-a-kind concept, where dance and physical performance create a live art installation.

90-minutes without an interval and eighteen chapters make the production difficult to follow. Although there are magical moments, the piece feels self-indulgent and exhausting.

A richly creative collaboration between costume, music and movement displays fierce talents at work.

Sensitive, sincere, hilarious approach to heavy topic

Pros: Truly enjoyable performances all round of a simple, but inviting story Cons: Slight lack of energy within the second half as the storyline changes Jack Studio Theatre in Brockley never fails to present exciting work. Coming to the Jack, you are guaranteed to have a warm reception and a nice night out, so John Godber’s On the Piste was a fantastic reason to enjoy another evening there. There are always a lot of expectations when the intro states ‘Olivier ...

If you want to go to the theatre to hear big topics discussed in anonymous rooms, to be moved, or to hear Einstein’s theory of relativity explained by Marilyn Monroe, then this is the show for you.