An overused storyline of thirtysomething Londoners linked by a dating app doesn't go anywhere meaningful.
Read More »Off West End
For King and Country, The Colab Factory – Review
A good cast and attention to detail make this a decent piece of immersive theatre, but the threads need pulling together to strengthen the plot.
Read More »Moormaid, Arcola Theatre – Review
An alluring premise involving mental health, art and terrorism, but one that is never fully explored.
Read More »PERSUASION at The Playground Theatre- Review
Workmanlike adaptation of Jane Austen’s final novel
Read More »Significant Other Inc. The Vaults- Review
A nostalgic and romanticised portrait of factory life in the North of England in the 1980's, which successfully attempts to present pretty much all the roles one would find in an industrialised workplace.
Read More »What the F*minist?!, Katzpace – Review
With music, dance and comedy, a group of LAMDA fresh grads hit the most common feminist-related arguments right on the head.
Read More »Free Solo, Drayton Arms Theatre – Review
What looked a good concept on paper never really comes to life, the story lost in its efforts to be a musical.
Read More »Little Eyolf, The Print Room at the Coronet – Review
An Ibsen play successfully transported to the present day by some of Norway’s finest actors, in a near-flawless production. Norwegian language with surtitles sounds daunting, but it isn’t.
Read More »The Bekkrell Effect, Roundhouse – Review
A humorous and entertaining display of acrobatics by skilled performers who make it look deceptively easy.
Read More »The Misanthrope, Theatro Technis – Review
Acting Gymnasium deserves top marks for their commitment to inclusion and diversity, but the performance lacks skill and structure.
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