A gripping tale of obsession and devotion gone too far, with an atmosphere and storyline which certainly did ‘thrill me.’

A production whose apparent simplicity masks highly complex, well thought out ideas that slowly unfold into an honest and open account of what it is like to grieve.

An engaging new kid on the block that has the potential to contend with the heavyweight musicals of the West End.

Clever, pacey and fluid. We are carried along the plot so smoothly that we lose a sense of our own time and space.  

A badly organised play with an unapologetically under-rehearsed leading man. Could have been a good piece of high camp theatre but ended up more like a cheesy backwater panto.

This is a charming and absorbing portrayal of a truly unique character. A really lovely evening at the theatre.

A gorgeous and engaging production of a well-loved, classic story.

A playful and witty romp with a very talented cast.

Pros: An almost uniformly strong cast carries the production with great enthusiasm. Plus there are good songs and music, and innovative audience interaction.  Cons: A lacklustre performance from the title role lets down an otherwise excellent show. You can tell the moment you enter the theatre that this is going to be no ordinary performance. The space is filled with a grand piano, a double bed, a sofa, armchairs and other Victorian pieces of furniture – all of which looks ...

A charming, lively show that mixes lots of ingredients with great skill.