There is a song, Angles, by Dan Le Sac vs Scroobius Pip, about how nothing is as clear cut and simple as it might seem. In just three minutes and 56 seconds it speeds through four characters, all connected by one incident that has terrible consequences for all involved. Except each character sees themselves as the good guy, and views others involved as the bad one, as the one that is the cause of so many of society’s problems. Look ...
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Everything today is the same, Katzpace – Review
A smart, fresh take on a modern dystopian setting
Read More »The Talented Mr Ripley, Wilton’s Music Hall – Review
Because film is such a powerful medium it naturally becomes a reference point for any stage adaptation. The Talented Mr Ripley is a perfect example, coming twenty years after the big screen version starring Matt Damon and Jude Law. Here the four principal characters, within a self-contained plot, seem to suit the stage well. The understated grandeur of Wilton’s Music Hall also provides a natural atmosphere in which to crank up the tension. Tom Ripley (Christopher Hughes) is a small ...
Read More »Does My Bomb Look Big in This, Soho Theatre – Review
Does My Bomb Look Big in This? was born from actor Nyla Levy’s dissatisfaction with being typecast as a ‘jihadi bride’. It deals with teenager Yasmin’s (played by Levy) slow enticement into, what she thinks, is a hopeful new life for her with ISIS. There’s a meta aspect to the play, as it consciously acknowledges its theatrical form to put forward the story of Yasmin, and her best friend Aisha (Halema Hussain). The two play myriad characters, including their family ...
Read More »Othello, Brunel Museum, Rotherhithe – Review
The hierarchy between Othello (Peace Oseyenum) and the sneaky network of unfaithfuls beneath him/her (although the actors are female, the characters are still their original gender) is set up around the stairs, at the outset of the play, which wouldn’t be possible in a usual theatre. So, from the first moment, we feel the long, dark tunnel stretching out above and beneath us. This is a place of no escape, and as Othello descends the stairs, you get the feeling ...
Read More »LEMONS LEMONS LEMONS, Barons Court Theatre – Review
A funny, prescient and revealing drama that cleverly spins a big tale
Read More »Don’t Look Away, Pleasance Theatre – Review
Well-made refugee drama that doesn’t need its abstract trimmings.
Read More »Fuck You Pay Me, The Bunker – Review
An education, a celebration, and a warning
Read More »Bromley Bedlam Bethlehem, Old Red Lion Theatre – Review
an intense, sometimes bumpy ride ultimately wins through with superior storytelling
Read More »INK, Tristan Bates Theatre – Review
A tasting menu of nine short, sharp, witty plays that leaves you fully sated
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