Home » Reviews » Drama (page 93)

Drama

A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.

Look At Your Palm, Ovalhouse – Review

There is a song, Angles, by Dan Le Sac vs Scroobius Pip, about how nothing is as clear cut and simple as it might seem. In just three minutes and 56 seconds it speeds through four characters, all connected by one incident that has terrible consequences for all involved. Except each character sees themselves as the good guy, and views others involved as the bad one, as the one that is the cause of so many of society’s problems. Look ...

Read More »

The Talented Mr Ripley, Wilton’s Music Hall – Review

Because film is such a powerful medium it naturally becomes a reference point for any stage adaptation. The Talented Mr Ripley is a perfect example, coming twenty years after the big screen version starring Matt Damon and Jude Law. Here the four principal characters, within a self-contained plot, seem to suit the stage well. The understated grandeur of Wilton’s Music Hall also provides a natural atmosphere in which to crank up the tension. Tom Ripley (Christopher Hughes) is a small ...

Read More »

Does My Bomb Look Big in This, Soho Theatre – Review

Does My Bomb Look Big in This? was born from actor Nyla Levy’s dissatisfaction with being typecast as a ‘jihadi bride’. It deals with teenager Yasmin’s (played by Levy) slow enticement into, what she thinks, is a hopeful new life for her with ISIS. There’s a meta aspect to the play, as it consciously acknowledges its theatrical form to put forward the story of Yasmin, and her best friend Aisha (Halema Hussain). The two play myriad characters, including their family ...

Read More »

Othello, Brunel Museum, Rotherhithe – Review

The hierarchy between Othello (Peace Oseyenum) and the sneaky network of unfaithfuls beneath him/her (although the actors are female, the characters are still their original gender) is set up around the stairs, at the outset of the play, which wouldn’t be possible in a usual theatre. So, from the first moment, we feel the long, dark tunnel stretching out above and beneath us. This is a place of no escape, and as Othello descends the stairs, you get the feeling ...

Read More »