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Drama

A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.

Something Awful, VAULT Festival – Review

Immediately after settling into the ominous Vault’s venue that is the Cavern, I begin to have a creeping sense of terror. I am sitting on a creaking wooden bench, looking across at a mirrored row of audience members, who are looking back at me, just as anxious. Because of this, I am immediately struck by how easily Flux Theatre’s Something Awful seems to convey a thing or two about the horrors of watching, and being watched. Something Awful (written by ...

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Broken English, Tristan Bates Theatre – Review

The most enjoyable aspect of Broken English, to me, was the deft and poetic use of language. Language plays a central role in the play, and writer and director Jahmar Ngozi is highly creative with it. ‘English Language’ (played by Rosie-May Jones) is personified as an eccentric woman, who trails off mid-scene into enchanting soliloquies, arguably stealing the best lines in the play. Her speeches are suffused with bountiful imagery, which transported me beyond the confines of the theatre and ...

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Macbeth – Wilton’s Music Hall – Review

This was my first visit to Wilton’s Music Hall and it was certainly a memorable one. For those of you who haven’t been to this theatre yet, it really is a remarkable space. Originally an 18th Century ale-house and then 19th Century music hall, the interior is spectacular and makes for a unique theatre space in East London. Taking my seat, the production started with a bang; but less than 10 minutes into the opening scene the lights came on ...

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Monster, Wardrobe Theatre, Bristol – Review

Having not been seen for around a year Workshop UK’s Monster returns to Bristol’s Wardrobe Theatre. The play, both written and performed by Joe Sellman-Leava, explores topics relating to masculinity, violence and sexual abuse. We follow Joe through doubts over who he is and whether he needs to live up to or ignore challenging masculine stereotypes. When boiled down to the bones, the play is simply about Shakespeare, Patrick Stewart, Mike Tyson and the protagonist himself. Joe tells a personal ...

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