A haunting, passionately performed, and accessible all-female adaptation of a Greek tragedy.
Read More »Drama
What I Learned From Johnny Bevan, Soho Theatre – Review
This is a whirlwind hour of delectably angry poetry that tells a pertinent story and is delivered with an enthralling vigour.
Read More »Happiness is a Cup of Tea, Vault Festival – Review
A courageous performance of a deeply emotional theme, told with a unique voice. Annie McKenzie’s creative exploration of grief, relationships and purpose is a show to look out for, and with some bolder stylistic decisions, could become unmissable.
Read More »Firebird, Trafalgar Studios – Review
This is a brave, well-intended and well executed production: the creative team are clearly invested, highlighting the issue of child abuse in a meaningful way.
Read More »One Festival Programme A, The Space – Review
A marvellous visual journey to the moon, guided by a talented physical performer.
Read More »The Devil Speaks True, Vault Festival – Review
This attempt at immersive theatre is well-intentioned but unfortunately lacks clarity of message
Read More »Mirrors, Rosemary Branch Theatre – Review
An amusing, well paced show that would benefit from a more coherent theme or plot to steer the audience through the various threads and thoughts.
Read More »Hamlet, The Rose Playhouse – Review
A powerful abbreviated Hamlet, set in the haunting (yet chilly!) archaeological dig of the Rose Playhouse.
Read More »Four Play, Theatre503 – Review
A fun play which takes a modern approach to the subject of relationships in the 21st century. It rarely flags as it flies through its 80 minutes.
Read More »Weald, Finborough Theatre – Review
A touching play about the difficulties of sharing your emotions and facing up to a changing world.
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