Drama
A staple for us and for many if you fancy a more traditional play. When we first started Everything Theatre it was specifically to review drama. We’ve branched out over the years, but it will always be a favourite of ours.
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Review: Dancing Shoes, Traverse Theatre
In a time of seemingly pervasive toxic masculinity, Dancing Shoes offers a joyful vision of male friendships, solidarity, and the delight of sharing one’s true self.
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Review: Never Tell Me The Odds, Old Red Lion Theatre
A thoughtful reflection on the risks and rewards of connecting with others. This valuable lesson is taught by companions both real and imaginary.
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Review: The Signalman, Drayton Arms Theatre
This two-person Dickens adaptation features a detailed but claustrophobic design and despite obvious effort the story is muddled and unclear.
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Review: Kenrex, The Other Palace
Exceptional stagecraft, virtuoso multi-roling, and live music bring astonishing theatricality to a gripping true crime story.
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Review: The BFG, The Royal Shakespeare Theatre
A hugely impressive adaptation with stunning puppetry, a delightfully witty script, brilliant effects, and fabulous performances.
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Review: Mountains and Seas – Song of Today, Omnibus Theatre
A beautifully bewildering, swirling vortex of challenging thinking and excellent performance that ultimately becomes overwhelming
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Review: Fallen Angels, Menier Chocolate Factory
Quick wit that harks to a theatre era gone by
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Review: A Christmas Carol, Crucible Theatre, Sheffield
A wholly delightful retelling of the Dickens classic with a stunning set, excellent performances and the sublime addition of Sheffield Carols.
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Review: Private View, Soho Theatre
Exploring queer love, art, science and coercive control in an entangled relationship, this debut play often lands and sometimes feels aesthetically placed.
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Review: Below the Treeline, The Space
A tale of a student love triangle goes deep into personal relationships and explores big questions about how we relate to one another.