This is an unpolished but nonetheless very well executed show, fun in its current form and full of future potential.

Although predictable and lacking in subtlety, it’s still great fun both for the audience and cast.

An entertaining but sometimes simplistic play about selfishness, sexuality and desire.

A young theatre group showing what a little imagination and risk-taking can do. This is theatre that should be appealing to both young and old and that needs a wider audience.

A smart, well-acted and well-written piece of theatre on power and race relations in America.

Fine performances are let down by a total mess of a show that can’t decide if it’s satire or pantomime and ends up being a sum of little parts that just can’t work together.

Pros: An intense and compact drama, the scope of which explores a lot more than just The Beautiful Game. Cons: Some choices aren’t clearly defined enough to fully realise the script’s potential. Liverpool legend Bill Shankly is often quoted as having said “Some people believe football is a matter of life and death. I am very disappointed with that attitude. I can assure you it is much, much more important than that.” In John Hickman and Steve Robertson’s Deadline Day, football’s ...

Uncomfortable, intellectually provocative theatre that, whether you enjoy it or not, has thoroughly generous and positive intentions.

Pretty set, actors give it all they’ve got, but limp writing and absence of humour means this is one farce that never truly makes an entrance.

Side holdingly, eye wipingly funny, gloriously uncut production of a rarely staged masterpiece of humour and language.