Opera
Contrary to the opinions of some, opera is so much more than the fat lady singing. Whilst opera does still struggle with a reputation of only being for the rich and upperclass, there are plenty of companies making opera for the fringe audience and we’ll always here for that!
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Tosca, King’s Head Theatre – Review
Pros: There’s something very magical about seeing an opera in such a small space and immersing yourself in the music. Cons: Some theatrical tricks employed here might be better left for the big stages. This new reworking of Giacomo Puccini’s…
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Fever Pitch the Opera, Union Chapel – Review
An enthusiastic and innovative tribute to Arsenal by local company Highbury Opera Theatre.
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Persuasion, Shaw Theatre – Review
This unique operetta is a mixed bag, but there will be something here for everyone to enjoy.
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The Marriage of Kim K, Arcola Theatre – Review
A mind-bending, thoroughly enjoyable romp through several centuries of music and marriage.
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Vixen, The Vaults – Review
The best opera I've seen in years. Unmissable.
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The Mikado, Richmond Theatre – Review
Pros: Lively, lovely and wonderfully funny. Cons: Hard to find any. No, really, it’s very good! The Mikado can be a challenging production. An opera set in Japan but written by two Caucasian Britons in 1885, which has actors running around…
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The Magic Flute, King’s Head Theatre – Review
Pros: Hilarious performances, beautiful singing and outstanding design. Cons: Without an orchestra some of Mozart’s magic is lost. Walking through a charming pub straight into a small pocket of the South American jungle isn’t how most would expect to start a night…
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Noh Time Like The Present, LSO St Luke’s – Review
Pros: A rare opportunity to appreciate a form of theatre which has been performed without interruption since the 14th century. Cons: As with anything out of the ordinary, this show can be quite challenging to follow, due to the lack of…
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Madam Butterfly, King’s Head Theatre – Review
An accessible production with some captivating performances.
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Scenes from the End, Tristan Bates Theatre – Review
Pros: Héloïse Werner’s hauntingly beautiful, intense and masterful performance. Cons: The abstract nature of the piece means that it is sometimes hard to empathise with the characters and to feel a connection with the emotions portrayed. Grief is a personal experience…