Off West End

Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.

  • Don Juan Comes Back from the War, Finborough Theatre

    Ödön von Horváth, in a new version by Duncan MacmillanDirected by Andrea Ferran★★★ Pros: Great venue delivering another solid production and offering great value for money; some strong performances too. Cons: Felt it lagged ever so slightly in the middle.…

  • Scooter Thomas Makes it to the Top of the World, New Diorama Theatre

    Peter ParnellDirected by Sam Miller★★★★★ Pros: Wonderful script and sublime performances, really London fringe theatre at its absolute best.  Cons: Slightly dragged at one point, but to be honest this is almost not worth mentioning. Our Verdict: Superb. Go and see…

  • The Oresteia, Riverside Studios

    Aeschylus, translated by Ted HughesDirected by Anastasia Revi★★★ Pros: An engaging production of a Greek classic with some great imagery and stylisation. Will keep you entertained. Cons: Sometimes goes over the top and veers towards melodrama. Our Verdict: Worth the…

  • God/Head, Ovalhouse Theatre

    Chris GoodeDirected by Wendy Hubbard★★★★★ Pros: An incredibly intelligent and well-written show, excellently executed, genuinely fascinating and really makes you think.  Cons: Perhaps easy to zone out if one is in the wrong mindset, not for everyone. Our Verdict: If…

  • Vault Festival, Old Vic Tunnels

    Various Writers and DirectorsVault Festival produced by Heritage Arts Company★★★★ Pros: A variety of performances in a completely different fringe setting, affordable theatre and a fantastic fringe atmosphere. Cons: Individual shows likely to be risky and inconsistent, not a guarantee…

  • Jealousy, The Print Room

    Absolutely worth going to if you fancy challenging yourself and broadening your horizons - we genuinely enjoyed it and we know nothing about dance or sculpture.

  • Belt Up Theatre’s The Boy James, The Goldsmith

    Alexander WrightDirected by Dominic Allen★★★★  Pros: A thoroughly engaging performance by Jethro Compton. Cons: Not the best from Belt Up and may have lost some audience members along the way. Our Verdict: An intimate and moving evening of theatre, offering…

  • Outward Bound, Finborough Theatre

    Sutton VaneDirected by Louise Hill★★★★★ Pros: Fringe theatre at its best, wonderful venue, fantastic acting and a completely engaging performance. Best fringe production we’ve seen.  Cons: None worth mentioning. Our Verdict: Superb. If you haven’t been to the Finborough before,…

  • Measure for Measure, White Bear Theatre

    William ShakespeareDirected by Emily Morrison★★★★ Pros: Confident and accessible Shakespeare, excellent portrayal of Angelo, interesting use of TV monitors in the set, talented young company. Cons: Not enough use of TV monitors, very hot theatre, a little expensive for what it is…

  • Avignon Off Festival, France

    www.avignonleoff.com While most UK readers will have heard of, and probably indeed attended the Edinburgh Fringe, I imagine that only few will know about the Avignon Off festival. The similarities between the two are striking: they were both founded in…

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