Off West End

Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.

  • The Fantasy Terrorist Variations, Baron’s Court Theatre

    Written by Robert Crighton★★★ Pros: A thought-provoking series of three plays which are interesting in terms of content and also written in an intense and engaging manner. Enthusiastic performances which really connect with the audience. Cons: The subject matter, terrorism,…

  • Ghost Storyteller, Baron’s Court Theatre

    Written and performed by Robert Crighton★★★ Pros: A well-crafted monologue delivered with energy, pace and humour. Crighton engages the audience from the outset and the discussion preceding the story builds anticipation and expectation. Cons: The poltergeist in the story is…

  • Blow Out!, Etcetera Theatre

    Kaye ConwayDirected by Jennifer Tang★★ Pros: Some very dynamic performances and a handful of genuinely funny moments. Cons: The humour and drama of the piece failed to sync well together, so it felt segmented and was rather slow at points.…

  • I Stand Corrected, Ovalhouse Theatre

    Created and performed by Mojisola Adebayo and Mamela Nyamza★★★★★ Pros: An unforgettable love story beautifully told through music, dance, storytelling and stand-up. Cons: There are no cons. This is a must-see. Our Verdict: A brave and beautiful theatrical triumph starring…

  • Freedom, Books, Flowers, and The Moon, Waterloo East Theatre

    Sarah PitardDirected by Cat Robey★★★★ Pros: A dedicated adaptation of Wilde’s fairy tales for children. A perfectly sized production for the space in question. Cons: A slightly (only slightly) dragged out second half. Also, some interactions seemed a tiny bit…

  • In Extremis, King’s Head Theatre

    Neil BartlettDirected by Caroline Devlin★★★ Pros: An interesting script from a great playwright with two very charming lead performances. Cons: Some hard-core Wilde fans may have a few issues with the casting. Our Verdict: Although this is a clever, insightful…

  • The Cat’s Mother, The Courtyard

    Pericles SnowdonDirected by Natalie Scott and Joseph Thorpe★★★ Pros: An interesting idea, with some good collaborative work by this group of young women, who are working hard to increase the presence of women on the stage. Cons: The script, while…

  • Carbon Dating, Brockley Jack Studio Theatre

    Ron ElishaDirected by John Fricker★★★ Pros: A well-polished production featuring quick-wit and down-to-earth sketches from the frontlines of first dates. Cons: Low stakes and a weak point of view create a sketch comedy feel, so the show lacks real weight.…

  • Who is Noskov?, Theatro Technis

    Five plays written by George NoskovDirected by George Eugeniou Grey Foam: ★★Turkey: ★★★ Pros: The opening and closing scenes of an empty stage with voices coming through the speakers were poignant and an excellent idea which both enthralled the audience…

  • Riot Night, The Old Frizzle

    Hugh JanesDirected by Robert Young★★★ Pros: Some nice performances, particularly from Alex Williams. Fantastic idea for a show. Cons: Never quite becomes totally immersive. Sometimes feels a little overdone. Our Verdict: An important production which is likely to become more…

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