Off West End

Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.

  • A Boy and His Soul, Tricycle Theatre – Review

    Colman DomingoDirected by Titas Halder★★★★★ Pros: Colman Domingo’s endless energy is contagious in this fun yet emotional piece. Cons: The concept is not original and the show doesn’t experiment with new ideas or new types of theatre. Our Verdict: A…

  • A Door Must Be Kept Open Or Shut, The Osbourne Studio Gallery – Review

    Alfred de Musset Translation by Peter Meyer Directed by: Martin Parr ★★★★ Pros: Wonderfully witty dialogue and brilliant performances. Cons: The punctuation of brief operatic interludes seemed a little out of place. Our Verdict: Great entertainment in an unusual setting…

  • The Speed Twins, Riverside Studio 3 – Review

    Maureen ChadwickDirected by Simon Evans★★★★ Pros: Creative, hilarious and unique, with a seasoned cast and great set. Cons: The plot arc felt quite abrupt, characters didn’t seem fully formed. Our Verdict: An innovative and thoughtful story of lost love as…

  • Fleabag, Soho Theatre – Review

    Written and performed by Phoebe Waller-BridgeDirected by Vicky Jones★★★★ Pros: An absolutely hilarious comedy which will have you laughing out loud. Waller-Bridge manages to captivate the audience’s attention for the duration of the story. Cons: If rude sex-related jokes don’t…

  • Fishskin Trousers, Finsborough Theatre – Review

    Elizabeth Kuti Directed by Robert Price ★★★ Pros: Beautiful, subtle and thoughtful storytelling from three unique perspectives, each with an intriguing personal tale. Cons: The accents were – at first – heavy-handed and difficult to understand. The narrative, although clever…

  • The Comedy of Errors, The Space – Review

    William Shakespeare Adapted and Directed by Tom Latter ★★★ Pros: A dynamic and enjoyable adaptation of the classic Shakespeare comedy with some very good acting and innovative use of space. Fun costumes and an excellent theatre space. Cons: Some rushed…

  • The Duchess of Malfi, Southwark Playhouse – Review

    John Webster Directed by Owen Horsley ★★★ Pros: Interesting staging and style, with engaging character portrayal and genuinely eye-opening moments. Cons: A sense that it was a bit rushed and the cast a bit inexperienced in dealing with this kind…

  • The Taming of the Shrew, The Rose Theatre, Bankside – Review

    William Shakespeare Directed by Pamela Schermann ★★★★★ Pros: A fantastic adaptation of Shakespeare with a very poignant modern twist and a wonderful cast! Cons: There are a lot of physical limitations to the venue, including a lack of toilets. Our…

  • Doonreagan, Jermyn Street Theatre – Review

    by Ann Henning JocelynDirected by Alex Dmitriev ★★★★  Pros: Play offers an insight into a little-known time in poet Ted Hughes’ life. Cons: Would have been nice to have a longer show! Our Verdict: A one-act play that packs an…

  • The Picture of Dorian Gray, Greenwich (Secret Location) – Review

    by Oscar WildePresented by The Alchemic Order★★★ Pros: The combination of promenade theatre and “Dorian Gray’s private home” gives this piece something quite special. Cons: Conversations felt slow, the pauses between lines sometimes dragged. However this might have been because…

Back to top button