Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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X&Y, Science Museum – Review
Presented by Twin Primes Theatre Company Directed by Dermot Keany ★★★ Pros: A noble attempt at sharing the glory of mathematics with the wider public. Cons: Erratic storyline, making it difficult to follow. Too in depth for maths-novices, too shallow…
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Seven Brides for Seven Brothers, New Wimbledon Theatre – Review
All-out family fun! Keeps to the standard of the original, but provides the added benefit of live performances.
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Women of Twilight, White Bear Theatre – Review
Sylvia Rayman Directed by Jonathan Rigby ★★★★ Pros: Solid, gritty drama and a talented company of actresses. Cons: The subject may seem an unlikely source of entertainment for some. Our Verdict: This lost play is definitely worthy of revival and…
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The Various Lives of Infinite Nullity, Battersea Arts Centre – Review
Clout TheatreDirected by Mine Cerc★★ Pros: The excellent physical performances from the Lecoq-trained ensemble are extremely polished and highly skilled. Cons: Falling in the genre of performance art, it will not be to everyone’s taste and the theme was rehashed…
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Fresh Off The Boat, Hen and Chickens Theatre – Review
A Border Story – Sarah Pitard Directed by Eyal Israel The Utility People – Michael Ross Directed by Cat Robey ★★ Pros: A lot of genuine humour and originality in the writing, delivered admirably by the actors Cons: Two short plays meant…
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HAG, Soho Theatre – Review
A brilliant, gory fairy tale that strikes just the right balance between being touching, terrifying, and comic.
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Ghosts, Almeida Theatre – Review
Henrik IbsenDirected by Richard Eyre★★★★★ Pros: A devastating and powerful play, stunning performances and a simple but wonderfully atmospheric set. Cons: Would be hard put to find any! Our Verdict: An assured and brilliant new adaptation. Courtesy of Almeida Theatre…
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Crazy Glue, The Nursery – Review
Dramaturge: Katherine MarkwickMovement Director: Bert Roman ★★★★ Pros: Original and clever premise, entertaining imagery, an evocative soundtrack and two highly-skilled performers working in perfect harmony. Cons: Might not be to your taste if you don’t like physical theatre or miming.…