Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Only Our Own, Arts Theatre – Review
An enjoyable new production that will surely raise many emotions. If the pace were to pick up a bit it may make waves once it reaches the Irish shores.
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Bloodshot, St James Theatre (Studio) – Review
A one-man tour-de–force thriller that reminds us what’s great about live theatre.
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Women of Twilight, White Bear Theatre – Review
Women of Twilight is a hard hitting play which had me gripped from the very beginning and on the edge of my seat as the drama unfolded.
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Bombshells, Jermyn Street Theatre – Review
A great show consisting of larger than life characters that will have you in stitches and hanging on every word. If this is a sample of young British theatrical talent then we are in for some treats ahead.
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The Snow Spider, Tristan Bates Theatre – Review
A production sure to charm all ages.
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Don Quijote, Camden People’s Theatre – Review
A visual feast of excitement and eccentricity: rough round the edges but on the whole it worked well and was totally in keeping with its subject matter.
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Lost Boy, Finborough Theatre – Review
A truly brilliant world premiere of this powerful musical, but don’t be surprised if you find yourselves having a few déjà vu moments.
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Win Or Die: A woman’s odyssey through theatre, Tristan Bates Theatre – Review
The idea of this show is great - showing women in theatre throughout history. However in practice it didn’t quite come across and I left wondering what the intended message was.

