Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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The Golden Dragon, The Drayton Arms Theatre – Review
A distinctive, absurdist play which provides fresh insight into the plight of global migrants. However, the lack of tightness and deftness compromises the comedy and emotion of what is quite a touching story.
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Blasted, The Old Theatre (LSE) – Review
Some good moments, but lacked consistency. A brave production.
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Fallen Angels, The Rose Theatre – Review
The perfect opportunity for journeying back to the theatre world of the 1930s. Hysterics ensured with these two saucy ladies.
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Straying in Seattle, White Bear Theatre – Review
Some excellent talent on show; the second piece is very funny but the first is mismatched and misjudged.
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A Fool’s Proof, The Vaults – Review
A witty, refreshing production on the media’s emphasis on sensation over truth that beautifully combines acting with live music, movement and puppetry.
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Half A Person: My Life As Told By The Smiths, Kings Head Theatre – Review
Belying the show’s title, ‘Half a Person’ would appeal to not only Smiths fans, but also those not so familiar with their music.
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Doing the Business and Blind – A Double Bill, The Courtyard – Review
Visceral, angry monologues express strong points of view about money in the art world. Both plays are heartfelt and well-acted, but corner themselves in extremes.
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Shang-a-Lang, King’s Head Theatre – Review
A funny show with great acting and comic timing. Deals with coming to terms with ageing without sentimentality.
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We, Macbeth, Theatro Technis – Review
This is a play about the men behind the curtain. It gives an alternative, and deeply disturbing theory on events that have shaken American politics since the 60s. A must if you’re a fan of conspiracy theories, and the secret…
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Huis Clos (No Exit), Rosemary Branch Theatre – Review
This is a superb rendition of a classic philosophical drama.