Fringe/ OffWestEnd
We could argue for hours what makes a fringe theatre venue, and even then we doubt we’d come to a satisfactory definition. So to keep it simple, fringe here simply means the wonderful little venues, generally less than 100 seats, often located above or below or next to pubs, and very much at the heart of our theatre world, where all the magic usually starts.
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Review: Jamless, Lion & Unicorn Theatre
A strong dose of Northern humour allows this gritty tale of grief and avoidance to flourish in the dusty space of childhood memories.
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Review: Mendaki (To Climb), The Cockpit
An intriguing insight into the lives of several characters who relocate to the UK.
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Review: HELD, Old Red Lion Theatre
A misfiring dementia drama that drowns emotional truth in monologues about electrons and induction hobs.
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Review: Mr Stevens, Arches Lane Theatre
A play that tackles dark themes with true insight and sensitivity, but is occasionally hampered by busy staging and an uneven tone.
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Review: Curating, Old Red Lion Theatre
An engaging exploration of finding meaning in life and death, with plenty of humour and heart.
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Review: Hedda, Orange Tree Theatre
A beautifully crafted re-telling of this classic story, with a twist.
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Review: Daddy’s First Gay Date, Seven Dials Playhouse
This hilarious romantic comedy will chase away any early winter blues with its relentless humour and big heart.
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Review: Lucifer, Bread and Roses Theatre
A new two-hander that explores the issues of stammering with humour, bringing out the tenderness between father and son in some heartfelt, winning performances.
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Review: Moominland in November, Upstairs At The Gatehouse
A confusing production that contains clashing tones, and so is only sometimes appealing.
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Review: Fool’s Gold, Old Red Lion Theatre
A night time grave robbing expedition goes horribly wrong in this black comedy that goes to grotesque dark depths and absurdly comedic heights