Fringe Theatre
We could argue for hours what makes a fringe theatre venue, and even then we doubt we’d come to a satisfactory definition. So to keep it simple, fringe here simply means the wonderful little venues, generally less than 100 seats, often located above or below or next to pubs, and very much at the heart of our theatre world, where all the magic usually starts.
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Review: Bloody Bloody Kansas, Hen & Chickens Theatre
A great retelling of a fascinating and deadly true story, but it could be so much more.
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Review: Spare Room, Hen and Chickens Theatre
It’s great to see a large ensemble at Camden Fringe, but at times that size detracts from what is really at the heart of this thought provoking play.
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Review: too much of water, Old Red Lion Theatre
Ophelia’s voice is given clarity and contemporary resonance across centuries and delivered through engaging storytelling.
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Review: A.I.M. (An Invisible Mission), Etcetera Theatre
Reminiscent of scenes of the BBC sounds desks of old, AIM is visually delightful and an audible marvel.
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Review: 2.36, Etcetera Theatre
A promising start never quite delivers in a play that has many sub plots but no obvious central idea.
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Review: Mercutio, Lion and Unicorn Theatre
Topical and witty, this show offers a relatable, modern insight into Romeo’s best friend.
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Review: Clive, Arcola Theatre
An emotionally charged tale of working from home with only a cactus to talk to.
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Review: Second Class Queer, Theatro Technis
Second Class Queer forces us to sit down and listen, but eventually starts to feel long.
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Review: The Midnight Caller, Rosemary Branch Theatre
A tight and spooky production but one that lacks performer connection and character spark.
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Review: Eclipse Ballroom, Courtyard Theatre
Fringe theatre gets loud, liminal, and completely unruly.