Cabaret
Music, drama, comedy all wrapped into one and served up in a cosy environment like a pub or a restaurant. We don’t review enough Cabaret really, but you’ll find what we have reviewed here.
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Thirsty!, Brasserie Zedel – Review
Pros: Great songs, smart jokes, no fillers Cons: It’s only on for three days Thirsty! is Tori Scott’s London debut and she makes quite an entrance. Already a sellout at go-to cabaret venue Joe’s Pub in New York, I’m sure…
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All I Want is One Night, Wilton’s Music Hall – Review
An enchanting piece of new writing with songs. The original subject matter makes this piece even more interesting, and the gorgeous set, costume and lighting will carry you away.
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Miss Hope Springs, Wigmore Hall – Review
A promising performance from a stunning man in drag which was entirely spoiled by amplification problems.
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This Joint is Jumpin’, The Other Palace – Review
A ninety minute celebration of the music and life of jazz icon Fats Waller.
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Le Gateau Chocolat: Black, Conway Hall – Review
An inspiring and heartfelt paean to the courage of being true to oneself.
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Cautionary Tales for Daughters, Jermyn Street Theatre – Review
An eclectic mix of cabaret, stand up and monologue add sparkle to an acutely observed performance.
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How Eva Von Schnippisch Single-Handedly Won WW2, Etcetera Theatre – Review
Move over James Bond, Eva Von Schnippisch is now Britain’s best spy.
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Harold and Broad, The Pheasantry – Review
Pros: Both Harold and Anita are incredibly talented, with voices that can transport you and evoke strong emotions. Cons: There were a few slip ups by the pair, but as Harold said, “Hey, it’s cabaret!” You won’t find a grander…
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The Brides of Bluebeard, Camden People’s Theatre – Review
Cabaret quartet The Ruby Dolls are funny, fiery and feminist in this modern reinterpretation of a classic folk story.
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Briefs, London Wonderground – Review
A sexy, feathery, glittered hurricane of male (ish) prowess with some hardcore fetish acts that might not appeal everyone.