Rob Warren
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A Trilogy Of Horrors: Volume 1, Scottish Storytelling Centre – Review
three examples of superb storytelling that for those who like to hear a good yarn being told will find plenty…
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If You’re Feeling Sinister: A Play With Songs, Gilded Balloon Doonstairs – Review
A play that has the depth and beauty demanded
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Transit, Underbelly – Review
It’s a warm, barmy evening along the South Bank, just the type of evening that makes the Underbelly festival a…
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Look At Your Palm, Ovalhouse – Review
There is a song, Angles, by Dan Le Sac vs Scroobius Pip, about how nothing is as clear cut and…
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Summer Street, Waterloo East Theatre – Review
The posters displayed around the always welcoming lobby of Waterloo East Theatre ask the questions “Love Kylie? Love the 90s?…
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The Fatal Eggs, Barons Court Theatre – Review
I really wanted to enjoy So It Goes Theatre’s The Fatal Eggs. I really really did. Having thoroughly enjoyed their…
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The Last Will and Testament of Henry Van Dyke, Tabard Theatre – Review
There is a fine line between being clever and being a little too clever for your own good. The Last…
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The Pitchfork Disney, Ovalhouse – Review
The Pitchfork Disney, Philip Ridley’s debut 1991 play, aims to do two things. Firstly, to disturb the audience (it was…
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Killymuck / Box Clever Double bill, The Bunker – Review
Social inequality is the theme that binds Killymuck and Box Clever together, a double bill of one woman shows at…
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Wolfie, Theatre503 – Review
Wolfie is a play that is surely destined for a longer life than its few weeks at Theatre503
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