Nathan Blue
Nathan is a writer, painter and semi-professional fencer. He fell in love with theatre at an early age, when his parents took him to an open air production of Macbeth and he refused to leave even when it poured with rain and the rest of the audience abandoned ship. Since then he has developed an eclectic taste in live performance and attends as many new shows as he can, while also striving to find time to complete his PhD on The Misogyny of Jane Austen.
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Nathan Blue29 November 2024
Review: What the Dickens? OSO Arts Centre
A Christmas Carol meets Dickens biography in an intelligent adaptation of the seasonal classic
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Nathan Blue14 November 2024
Review: The Wondrous Conveyance of Stella Estrella, Etcetera Theatre
A one-woman show encompassing the spirits of many.
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Nathan Blue3 October 2024
Review: J.O.I., Canal Café Theatre
Highly original stand-up meets bizarre sci-fi fantasy.
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Nathan Blue19 July 2024
Review: The Witching Hour, Bridewell Theatre
Hokey supernatural melodrama fails to thrill or chill.
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Nathan Blue11 July 2024
Review: Bindweed, Arcola Theatre
Intensely humane exploration of male violence.
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Nathan Blue6 July 2024
Review: House of Life, Soho Theatre
Has most of the audience howling
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Nathan Blue16 June 2024
Review: Operation Mincemeat, Fortune Theatre
Fresh cast shine in the Fringe-to-West-End wartime success story
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Nathan Blue25 May 2024
Review: Burden of Proof, White Bear Theatre
Uncomplicated portrait of police corruption
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Nathan Blue20 April 2024
Review: Rosie: The Musical (soundtrack)
Musical soundtrack that hits high notes despite duff lyrics.
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Nathan Blue3 March 2024
Review: West End Sessions, Brook Mews Wine Bar
An intimate cabaret-style setting.
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