Mary Pollard
By her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. She has a long history with Richmond Theatre, but is currently helping at Shakespeare's Globe in the archive. She's also having fun being ET's specialist in children's theatre and puppetry! Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance.
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Mary Pollard13 August 2024
Review: Beauty and the Beast, Greenwich Theatre
A classic fairytale unfathomably reinvented.
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Mary Pollard13 August 2024
Review: Gulliver’s Travels, EdFringe
Slick, sea-shantified storytelling in a puppet-wielding delight of a show.
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Mary Pollard12 August 2024
Review: Goose, Edfringe
The perfect musical for the very teeniest audience members
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Mary Pollard12 August 2024
Review: The Evolutionary and Inescapable Rotting of Girlhood, Edfringe
Teen topics, light laughter but no real evolution.
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Mary Pollard11 August 2024
Review: Bill’s 44th, EdFringe
Hilariously joyful and uniquely beautiful
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TYA
Interview: It’s coming home! Accessible theatre by post this summer.
Oily Cart's Natalya Martin on A World Beneath Us
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Mary Pollard10 August 2024
Review: Little Drops of Rain, EdFringe
Lovely moments of puppetry
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Mary Pollard10 August 2024
Review: The Gummy Bears’ Great War, Edfringe
A taste of the absurdity of war. This captivating show may be short but sweet, but it has bite.
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Mary Pollard9 August 2024
Review: Shadow Necropolis, EdFringe
Superb, skilfully choreographed storytelling
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Mary Pollard8 August 2024
Review: Book of Dew, EdFringe
An exquisite capsule performance
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