Everything Theatre Reviews, interviews and news for theatre lovers, London and beyond

Squished into the studio space of The Other Palace, Reputation follows ambitious budding writer Michelle Grant as she fights the comically evil plagiariser and El-Capone knockoff Freddy Larceny (see what they did there with the last name?) who has stolen her novel and made it into a hit film. No doubt there is talent and effort within the piece. Some lovely choreography from Tamsyn Salter provides the classic teeth and jazz hands glamour that (some) musicals require and keeps the ...

Starting rather emotionally frozen, Glass is the story of a young girl made entirely of glass, and the comic and tragic reality of her doomed love. Maybe in comparison to the older casts that follow, this younger set of performers never really get into their stride. Despite being suspended ethereally on a wooden plank in the air the piece feels rather flat. Kill is up next, following the blood-soaked stories of the curse of the house of Atreus. Exposing their ...

A rocking concept makes this gig theatre an experience not to be missed

A little gem of a piece that packs quite the punch

Following the beautiful Dorian Gray this famous tale of vanity and Victorian “morals” is turned on its head when we have a buffet like selection of choice. With 4 alternative versions, the four actors change roles daily in various configurations in an imaginative gender-bending take on the story. Tonight I had a gloriously complex portrayal of Dorian from Helen Reuben, providing all the joys and contrast of a female protagonist, and equally as fascinating was Augustina Seymour’s Sybil Vane. This ...

Having only lasted two weeks on Broadway in 2002 Amour has finally moved across the pond to try its luck closer to its French setting, with its London debut at the Charing Cross Theatre. Its hard to work out who to attribute blame to in this stoney production, but with moments of brightness it isn’t a completely wasted evening. Following bank clerk Dusoleil (Gary Tushaw), whose lonely existence is transformed by the ability to walk through walls, the story is ...

Shakespeare’s tale of deceit and malice is not an easy one to stage. Even with an interesting re-contextualisation set in the British Raj in 1919, the production at the Union Theatre fails to fully own this mammoth play.  The ‘green-eyed monster’ and the quintessential Machiavellian baddie Iago provide enough juice, drama, and betrayal to make a real meal out of. But to enjoy a meal one needs cutlery (bear with me on this metaphor), and that would be the actors. ...

“I am authentic Basildon, I am”, is the phrase with which we are welcomed to the regional premiere of In Basildon, the hit show by David Eldridge, that opened to critical acclaim at the Royal Court in 2012. Although the atmosphere of having this show performed to a local audience was electric, this production leaves a lot to be desired, outside occasional flashes of brilliance. The Queen’s Theatre Hornchurch is an impressive size, but Director Douglas Rintoul has made the ...

I wanted to love this show so much, because of the subject matter. And certainly, the bravery of real Vicky in the hateful climate of the 80s, and the support she received in her journey is stirring stuff! But a play is not comprised of themes alone, it is writing, acting, lighting, directing and a host of infinitesimally small things. It is in the realisation of its themes that Call me Vicky falls down. There is an issue of timing ...

Feminism and fishnets, punk and precarious friendships, The Half Moon Shania shakes the Vaults Festival in this punk/rock opera reverberating with energy and poignancy. The show evokes youthful excitement and naivety within a dark smoky world. The rush and the barely organised chaos are infectious, but there are moments that don’t quite land as effectively as the rest of the show. THE G STRINGZ are a band of three best friends trying to secure a record deal in the Half ...