Bryony Rae Taylor
-
Buddha Babies, Soho Theatre – Review
Evenings with the Crick Crack Club begin with a call and response: the word ‘CRICK’ prompts the audience to inform…
Read More » -
Blueberry Toast, Soho Theatre – Review
An atmospheric play exploring contemporary themes of feminism and domesticity, that doesn’t make its point clearly enough.
Read More » -
Relentless Unstoppable Human Machine, CircusFest 2018 at the Roundhouse – Review
Pros: A concept that is highly technical and inventive. The show features gorgeous live music with a multi-talented, engaging cast. Cons:…
Read More » -
Interviews
Interview: Louis Maskell and Sanne Den Besten on ‘The Grinning Man’
'The Grinning Man' performers Louis Maskell and Sanne Den Besten give us the low-down on this unique musical and its…
Read More » -
Hommo, The Lion and Unicorn Theatre – Review
A play that feels lost in translation. The writer clearly has a lot to express, but the text needs more…
Read More » -
Cookies, Theatre Royal Haymarket – Review
The result of excellent script-writing matched with a visually stunning set, Cookies thinks about the rapidly- changing technological scene, and…
Read More » -
Interviews
Interview: ‘Hair the Musical’ at The Vaults
The director and cast of 'Hair' at The Vaults tell us why this is the perfect time to bring the…
Read More » -
Twist, Soho Theatre – review
Twist successfully takes the complexity of the Syrian refugee crisis and condenses it into one human experience. The approach makes…
Read More » -
I Remember, Pleasance Theatre – Review
The fairly simple concept of using sounds to compliment a monologue is inventively utilised. With some development and support, it…
Read More » -
Bullish, Camden People’s Theatre – Review
A triumphant piece of theatre that is entertaining and thought-provoking in equal measure. The ensemble cast have a collaborative relationship…
Read More »