Brian Penn
-
Ordinary Days, London Theatre Workshop – Review
Great songs and a charming cast hide the shortcomings of a familiar plotline involving twentysomething New Yorkers.
Read More » -
Ballroom, Waterloo East Theatre – Review
Old style Broadway theatre, which might have fallen flat if not for a strong cast giving everything they had.
Read More » -
Brimstone and Treacle, Hope Theatre – Review
Although provocative and daring in the 1970s, Dennis Potter’s work hasn’t worn particularly well over the years, but the cast…
Read More » -
2 Become 1 – The 90s Pop Musical, King’s Head Theatre – Review
While the bones of a decent plot were abandoned early on, there is no denying the entertainment value in a…
Read More » -
Adam & Eve… and Steve, King’s Head Theatre – Review
The script never quite matches the promise of the plot and lacks real belly laughs, but a bright and talented…
Read More » -
The Frogs, Jermyn Street Theatre – Review
Even with the touch of Sondheim this is heavy going, but still manages to shine with some pleasing performances.
Read More » -
Honeymoon in Vegas, London Palladium – Review
The Palladium has never looked, felt or sounded quite so sumptuous.
Read More » -
Thisbe, Theatre Royal Stratford East – Review
A light and refreshing take on one of Shakespeare’s most enduring plays.
Read More » -
Villain, King’s Head Theatre – Review
Pros: An immensely likable performance from Maddie Rice, making light of a demanding script. Cons: A story told in flashback wasn’t easy to…
Read More » -
Cautionary Tales for Daughters, Jermyn Street Theatre – Review
An eclectic mix of cabaret, stand up and monologue add sparkle to an acutely observed performance.
Read More »