A spectacular battle between Norse heroes showcases characters and hearts almost as big and brash as the wrestling power moves that excite and amaze. Rating
Excellent
Presenting theatre through the medium of wrestling may seem an unexpected combination, yet the artform has always adapted its approach to design and delivery in order to best complement the story being told. The legends of the Norse gods and heroes are those of powerful figures, charismatically gathering supporters as they engage in epic battles. Mythos: Ragnarök triumphantly demonstrates how professional wrestlers are the perfect talents to bring the legends to life.
It is fitting that the creator of this unique extravaganza, Ed Gamester, through his portrayal of the charismatic Loki, is the one to introduce the audience to the fantastical adventure. Whist exploring the void between the opposing realms of ice and fire, Loki enthusiastically joins the determined Odin (Howard Drake) in a quest to build a new middle-realm to rule. This draws challenge from their powerful fathers Borr (Fin McCarthy) and Surtr (Sam Gardiner), the formidable Gullveig (Louise Young) and her children, the humorous Baldr (Beau Charles) and enthusiastic Freyja (Heidi Katrina). A reluctant peace is achieved, supported by the witless Thor (James Dunn) and gentle Hel (Daisy Jenkins). As further tensions arise, can they avoid the prophecy of Ragnarök: the destruction of all?
As writer, Gamester has crafted a compelling narrative with emotional drama between the strongly developed characters; their dramatic and emotional journeys are as gripping as the physical battles they endure. The use of wrestling truly complements the clashing personalities of these epic heroes and propels narratives naturally. The engaging cast showcase both the distinct personalities and fighting styles; there is also plenty of playful humour and banter to establish rivalries and favourites to root for.
A wrestling ring takes the place of a traditional stage, on which the ensemble delivers a range of physically impressive moves to lift, kick and slam each other to the floor. It is fascinating to witness them adapting their approaches based on the statures of themselves and their opponents. The imposing McCarthy and Gardiner use their sheer size to bulldoze through opponents, whilst the lithe Gamester and Charles athletically outmanoeuvre them. There is an immersive atmosphere throughout; the audience cheer and groan as their champions battle, then subside into shocked silence as dramatic twists unfold.
Kjell Braaten’s atmospheric sound design perfectly captures this blended approach of historical and modern, switching from slower vocals with drums during the worldbuilding speeches, to a fast-paced rock style during the combat. Whilst most of the action takes place in the wrestling ring, there is an extended backing set where Melanie Watson’s detailed design enhances the distinct visuals of the different realms. Likewise, Watsons’s impressively intricate costume designs for the armours, robes and cloaks of the Norse heritage incorporate similarities of motifs for the inhabitants from the ice and fire realms, whilst also reflecting the preferences of the different personalities. Practically, the costumes are impressively sturdy to hold up against the frequent impacts against the ring.
The action is supported by Dan Phillips’ lighting design, which effectively conveys both the physical and emotional journeys the heroes undertake. The ring/stage is bathed in red, blue or yellow to signify which of the realms they are visiting, whilst the emotional tones of triumph or loss are subtly enhanced by modulating levels of brightness surrounding the cast. The lighting also enhances the dramatic entrances of the ensemble, playfully spotlighting different doors to build hype for the champions’ emergence.
This ambitious and unique experience is equally enjoyable for fans of both theatrical character drama and energetic wrestling, which may otherwise not often overlap. Broadening the horizons of audiences of any forms of performance art is truly a worthy quest.
Written, directed and produced by Ed Gamester
Set and costume design by Melanie Watson
Lighting design by Dan Phillips
Sound design by Kjell Braaten
Mythos: Ragnarok has completed its current run at Alexandra Palace. The show is on tour throughout the UK until May, and then will play at Edinburgh Fringe in August.
