Three shorts which examine how and why we apologise.
Year: 2020
although the required parts of the play were present, it ultimately felt roughly put together.
A spine-tingling trio of immersive experiences
This pair of stylistically different but equally affecting 50 minute pieces by Christopher Reid are well-pitched to straddle the interface…
This might look like a children’s show but fear not, it’s one us adults should try to reclaim for ourselves.
a theatre company that don’t think theatre should be experienced from the comfort of your seat
Reeling from the death of their mother, Scottish musician Alannah (Natalie Allison) moves to London looking to support her troubled…
Sedos have nailed it once again with a magnificent ensemble performance.