Everything Theatre Reviews, interviews and news for theatre lovers, London and beyond

Drag theatre is an increasingly broad church and here it is used to serious political effect at Omnibus Theatre’s 96 Festival of queer theatre, which celebrates the iconic 1996 Pride party on nearby Clapham Common.  The drag, for fans, delivers. Lip syncing, pop covers, gay culture references (including a welcome nod to Kenneth Williams), fan dances and wounded glamour are all present and correct.  Everything looks divine too. Sam Wilde and Elizabeth Harper’s set design, in a reconfigured Omnibus auditorium, is ...

Following texted directions to the secret location “somewhere on the Victoria Line”, you make your way to a disused warehouse on the outskirts of town. Welcomed by a woman dressed as a 1930s aviator, speaking an imaginary language that hovers somewhere between Japanese and Klingon, you’re handed a beer – never a bad thing in a theatre – and led into the dining room. This turns out to be a vast octagonal space, hosting a dozen round 8-seater tables, mounted ...

After several years of clashing diaries and missed opportunities, I finally made it to the legendary Wilton’s Music Hall in Whitechapel. John Wilton’s magnificent music hall was opened in 1859, and has survived the obligatory fire and demolition notice on several occasions since then. It eventually acquired Grade II status and reopened as a theatrical venue in 1997. We are deep in Jack the Ripper territory and a huge Victorian brass lamp announces the venue in Graces Alley. The interior ...

Mark (Sam Frenchum) is from a typical East End family, working class to the core.  Except Mark has gone off the rails with too many drugs, and has been kicked out of the family home.  After the death of his dad his mum (Sarah Finigan) wants him home, because after all, family is everything and it’s his duty to be at the front of the funeral; people have to see him there to show the family strength.  The problem is ...

Michel de Montaigne, the 16th century writer and philosopher, was a complex character. He invented the essay form – his ‘essais’ being ‘tryouts’, as he explains – to set down his thoughts on a vast range of topics. He wrote over 100 essays, on subjects as diverse as anger, virtue, vanity, smells, sleep, solitude, pedantry and drunkenness. In this one-man show Jonathan Hansler plays Montaigne to powerful effect, welcoming us as English visitors into his library and regaling us with ...

Have you ever moved to a new house or workplace and gone past the place you left, soon after? It’s something like feeling your phone vibrate in your pocket, but finding it’s not there. These feelings struck me as I sat on the Piccadilly Line and passed straight through Piccadilly Circus, Leicester Square and Covent Garden on a theatre night without getting off. I was heading to deepest darkest North London for a performance at Chickenshed. A short walk from ...

I wanted to love this show so much, because of the subject matter. And certainly, the bravery of real Vicky in the hateful climate of the 80s, and the support she received in her journey is stirring stuff! But a play is not comprised of themes alone, it is writing, acting, lighting, directing and a host of infinitesimally small things. It is in the realisation of its themes that Call me Vicky falls down. There is an issue of timing ...

Certain theatres have a mystique, a marque of quality that sets them apart; an assumption that a play must be good if it’s running there. The National Theatre, Royal Court and Shakespeare’s Globe are three such examples. Add to that list the Young Vic, just down the road from its older sibling in Waterloo. Like many modern theatres, the bar is set to the front entrance, creating a great atmosphere as you go in. The performance area is arranged amphitheatre ...

In Italy, where I grew up, the TV series Fame was broadcast in the afternoon, when families would enjoy it gathered after lunch. As a young child, I wouldn’t pay much attention to the topics, but rather enjoy the musical score and, in particular the opening credits with the series’ theme song. Only recently have I been made aware of how controversial some of those topics were. For those who aren’t familiar with this 1980s cult title, Fame focuses on ...

The inventive, social-change focused company Improbable present The Paper Man at one of London’s most vibrant venues for new theatre and comedy. It’s the true story of Matthias Sindelar, an Austrian football star who refused to throw a match against Germany during the Nazi regime and was found dead a few months later. Lee Simpson, actor and co-artistic director of Improbable, explains on stage that he wanted to tell this story for a long time and, but when he hired ...