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Yearly Archives: 2019

Blood and Gold, Scottish Storytelling Centre – Review

A young woman is entrusted by her dying mother with a wooden box containing all the stories and words she knows. But not prepared to listen to them again, the bereaved daughter hides the box under her bed, wanting to forget about it. As the years go past, she grows lonely and misunderstood, gradually giving in to the Shadow Man – a sly creature who lingers around her and whispers demeaning messages into her ear. An impending sense of unworthiness ...

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Interview: Rosanna Mallinson on ImmerCity

ImmerCity stage site-specific immersive murder mysteries. The three shows to date have been set in The London Museum of Water and Steam, Kensington Library, and St Matthew’s Church in Bethnal Green. They all follow the same format: the audience plays in groups of six or seven, each person following one of the actors as they move through different spaces and interact with other members of the cast. In the interval, each audience group reconvenes to discuss and compare what they’ve ...

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Sherlock Holmes and The Invisible Thing, Rudolf Steiner Theatre – Review

The world isn’t short of new Sherlock Holmes stories. Several hundred have been written since Conan Doyle hung up his pen, and in the main they stick closely to the character of the original stories. So why is it that, when bringing Holmes to the stage, dramatists feel the need to give the famously asexual detective a love life? It started with the ill-fated Sherlock Holmes – The Musical, featuring a woefully miscast Ron Moody in platform heels (he was ...

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Chicago Blues Brothers: Motown Mission – Preview

With Chiacago Blues Brothers currently touring the UK, quite possibly coming to a town near you soon, as well as one night only in London on 4 August, we asked Brian Penn to reminisce about a show that for many people of a certain age is a cult classic. For a full list of upcoming venues and tickets see https://www.thebluesbrothers.co.uk/ One of the outstanding films of my childhood was the Blues Brothers, directed by John Landis. It had pretty much ...

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Games For Lovers, The Vaults – Review

Was it ever thus? Horny humans playing every trick in the book to win some love, or at least satisfy their lust? Well, yes, probably, but the eternal quest makes for brilliant entertainment in this smart and exuberant four-hander from writer Ryan Craig and director Anthony Banks. Proceedings start with a bang as the brilliantly energetic opening scenes provide key background information on the characters, punctuated by infectious music and movement, all played out against Simon Scullion’s beautifully colourful abstract ...

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Mr Stink, Chickenshed – Review

With theatre access and diversity issues continually in the headlines lately, it’s worth remembering Chickenshed has been blazing a trail for inclusiveness for over forty years now. As well as championing the under-represented on stage, they have clearly learned a thing or two about creating crowd pleasing work over that time too.  Mr Stink, first seen last year and now returning as a slightly slimmed down touring production, is an uncomplicated affair perhaps, but, by gosh, it is a gloriously ...

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The Unholy Marriage of Slice and Sweetly – St Matthews Church – Review

ImmerCity’s lastest immersive murder mystery takes place in and around St Matthews Church in Bethnal Green. It’s 1955, and memories of the war still resonate. You’re present at the wedding of Jim Slice, son of East End gangster Micky, to Maud Sweetly, the daughter of feisty widow Cheryl. But Maud has failed to show up; and neither her twin sister, nor her cousin Bernie, can explain why. It’s left to the priest, Reverend Gris, to keep the two warring families ...

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Fiver, Southwark Playhouse – Review

Have you ever wondered how long a £5 note survives in circulation? Experts suggest the polymer note introduced in 2016 can last up to five years. But who might take ownership of the said note during its lifetime. What impact did it have before it was passed onto the next recipient? All these questions are imagined and explored in Fiver, currently running at the Southwark Playhouse. Most fringe theatres have a studio space secreted in its bowels. The playhouse is ...

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