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Monthly Archives: March 2019

One Hundred Words For Snow, Trafalgar Studio 2 – Review

All explorers are men.  Beady men at that.  So says Rory, who isn’t a man, even though she has a man’s name.  Although Rory is short for Arora, which isn’t much better in her eyes. We find all this out, plus so much more, within the first few minutes that follow Rory bounding onto the stage, already chatting to an audience that hasn’t even had the chance to settle down into their seats. She’s a bundle of pure energy and ...

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Footfalls & Plays, Jack Studio Theatre – Review

For Plays, three identical urns contain a man, his wife and his mistress as they relive their perspectives of the affair in rapid and eccentric fashion. It’s quirky, and so off the wall, but also captivating and charming. Three actors hide inside futuristic yet simple egg-pod like compost bins, with only their heads visible as they reel off Play’s dialogue. That everyone is covered in dusky blue paint, with unexplained aquatic-type scales adhering to their skin, provides an unplaceable yet otherworldly ...

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Three Shades, Ram Jam Records, Kingston – Review

A bare footed lady, head to foot in black, slowly walks from behind us to the stage. It’s a compelling sight to open any play. But it’s not the first thing that stands out for Everything Theatre’s first visit to Ram Jam Records in Kingston. Before the show even starts there is the delight of discovering this venue, hidden away behind the Grey Horse Pub, just a couple of minutes’ walk from both bus and train stations. For a lover of good ...

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Lipstick: A Fairy Tale of Iran, Omnibus Theatre – Review

Drag theatre is an increasingly broad church and here it is used to serious political effect at Omnibus Theatre’s 96 Festival of queer theatre, which celebrates the iconic 1996 Pride party on nearby Clapham Common.  The drag, for fans, delivers. Lip syncing, pop covers, gay culture references (including a welcome nod to Kenneth Williams), fan dances and wounded glamour are all present and correct.  Everything looks divine too. Sam Wilde and Elizabeth Harper’s set design, in a reconfigured Omnibus auditorium, is ...

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The Grand Expedition, Secret Location – Review

Following texted directions to the secret location “somewhere on the Victoria Line”, you make your way to a disused warehouse on the outskirts of town. Welcomed by a woman dressed as a 1930s aviator, speaking an imaginary language that hovers somewhere between Japanese and Klingon, you’re handed a beer – never a bad thing in a theatre – and led into the dining room. This turns out to be a vast octagonal space, hosting a dozen round 8-seater tables, mounted ...

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Holler Box