Everything Theatre Reviews, interviews and news for theatre lovers, London and beyond

Pros: An engrossing war story brilliantly told by a two man cast. Cons: A disappointingly camp cabaret section at the start of Act II looks out of place and disturbs the story’s tone. There are subtle reminders that November has arrived: the clocks go back, street lights flicker into life earlier and Christmas adverts creep onto TV screens. Another permanent reminder is Remembrance Sunday. Billy Bishop Goes To War gives a very personal account of the titular character, told by his ...

Pros: Excellent performances from all concerned. Cons: The fragmented style of the dialogue.  Ominous music pervades the auditorium as you enter, and the stage is filled by an opaque screen which resembles a giant TV. Shadowy figures walk up to the screen and look out at the audience before disappearing into the murky background. The piece is just over two hours, without interval, consisting of three distinct parts. Part one is a series of vignettes where most of the 16 strong ...

Pros: Theatre and live music gig for the price of one! Cons: The show is on tour with only short stops, so you’ll have to be quick off the mark to see it! Nina Berry’s show Fans is described as a performance for anyone who has ever loved music – i.e., everyone. Indeed, it is hard to think of anyone who wouldn’t be charmed by the humour, energy and sheer joyfulness of Fans. It’s a beautiful production peppered with excellent musical hits, ...

Pros: Outstanding performances bring passion to an effervescent script. Cons: Written 15 years ago, some of the sexual mores can seem outdated. An older man leaves his wife for a younger woman. It’s a story we’ve seen dozens of times before – but in Australian playwright Joanna Murray-Smith’s hands this age-old tale becomes something entirely new, through well-rounded characters and thought-provoking dialogue. George, in a compelling performance by Henry Goodman, is a celebrity intellectual, who dispenses his wisdom through TV ...

We’ve got another wonderful competition for you to enter. And as always, it’s as simple as 1-2-3 to take part. Just head on over to Twitter, follow us and retweet our competition tweet, which we’ve included below to make it even easier for you.  That’s all there is to it.  Just make sure you do it by 7pm, next Thursday 8th November, because that is when we will be picking a winner at random. COMPETITION ALERT. Yes, we have another ...

The Bloomsbury Group was known for its wit and sparkle, both of which are sadly missing here.

Adapter and director Peter Glanville shares how he and his team brought the whimsical puppet production 'How to Hide a Lion' to life.

Pros: This is a full-throttle production by a contemporary theatre company oozing with confidence. Cons: The action is distractingly far-fetched, to the point of total implausibility, while the characters are never developed much beyond surface-level. It’s also about 45 minutes too long. Shrödinger’s Dog, the second production from young theatre company Break the Verse, is presented as “a black comedy about the epidemic of male suicide with an LGBTQ+ twist”. It also features a cast of nine, and touches on ...

An enjoyable show that tries to address serious topics in the #MeToo era, but it's hard to judge how well that message is received.

Evenings with the Crick Crack Club begin with a call and response: the word ‘CRICK’ prompts the audience to inform their storyteller that they are open to listening, and therefore you are required to reply emphatically ‘CRACK’. Thus begins a slightly barmy, but beautiful evening of storytelling. Buddha Babies, with story teller Xanthe Gresham Knight, is a complex and hilarious exploration of what it means to be ‘childless’, with whatever connotations that might carry for a woman, negative or positive. In the ...