You don’t have to be gay to be moved by this abiding tale of love and passion.
Read More »Monthly Archives: November 2018
#Hypocrisy, Theatre503 – Review
Pros: Full of honesty, humour and a word perfect performance, the sound and strength of Imogen Stirling’s words create a landscape that restores the faith in middle class privilege. Cons: Spoken word performance is not for everyone. Spoken word performance may not be everyone’s cup of tea. For many it brings to mind images of bearded hipsters in berets; rest assured that only occurs once tonight, and in a most amusing of ways. But if you were to consider spoken ...
Read More »Catch of the Day, The Finborough Arms – Review
Riotous, rollicking, fun-filled fishy frolics.
Read More »Boujie, Drayton Arms Theatre – Review
A well-meaning but overly ambitious first outing by new theatre company Unshaded Arts.
Read More »To The Bone, Katzspace Studio – Review
Pros: The bleak honesty of Motherhood or Madness and Eoin McKenna’s top-notch comedic delivery in Specky Ginger C*nt. Cons: Motherhood or Madness could benefit from a more imaginative lighting design, whereas Specky Ginger C*nt plunges too deeply into hopeless drama. In a renewed climate of female emancipation, women are unafraid to address motherhood in dispassionate tones. No longer seen as a gift from god, nor a state of bliss, it is often considered a mere inconvenience, a life-changing event over ...
Read More »Rats at Etcetera Theatre – Review
Pros: Rats is smart and hilarious, with excellent performances and a bitingly relevant script. Cons: The ending is predictable, and some of the emotional moments feel under-explored. In 2016, Microsoft released Tay, a chatbot that could learn by interacting with people on the internet. Sadly, the chatbot had to be shut down after it began spouting Nazi slogans and sexually explicit messages. If machines can learn from humans, they can also learn our biases, our flaws, and our cruelty. We ...
Read More »Urinetown, Bridewell Theatre – Review
Pros: A talented and tuneful cast making the most of a limited performance area. Cons: A low key Act I suffers in comparison with a sparkling Act II which emits a genuine West End feel. Urinetown is hardly the most obvious title for a musical, but its purpose soon becomes apparent as an antidote to the sugar coated fayre common to the genre. The show made its debut off Broadway in 2001 and went on to win two Tonies and ...
Read More »Interview: Clifford Samuel on ‘A Guide for the Homesick’
Clifford Samuel tells us about 'A Guide for the Homesick' at Trafalgar Studios and the actor's varied career.
Read More »Cuckoo, Soho Theatre – Review
Pros: Superb script and performances Cons: A few plot points not entirely clear “Thank fuck for Ryan Air!” isn’t something you hear that often in real life or in the theatre, what with all the cancelled flights and relentless penny pinching. But this uncommon praise is understandable, coming from the lips of young misfits looking to flee small town life in Ireland for the bright lights of London. Iona (Caitriona Ennis) and Pingu (Elise Heaven) are best pals with a ...
Read More »Love Lies Bleeding, Print Room at the Coronet – Review
Pros: An excellent cast of familiar faces give the play a much needed boost. Cons: A beautiful venue in serious need of refurbishment and a script requiring similar tender loving care. I feel quietly reassured when a Grade II listed building is purchased and restored to its original function. The Coronet in Notting Hill Gate is one such example. Designed by legendary theatre architect W.G.R. Sprague it opened with royal patronage in 1898 and hosted a variety of productions until ...
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