Infinitely more enjoyable than many West End productions, How to Succeed is an ambitious and triumphant revival with an excellent cast.
Read More »Monthly Archives: April 2017
Homegrown Festival, Battersea Arts Centre – Review
It might not be aimed at the older audience, but the energy and joy within the building is so infectious that everyone should go and support an amazing week of youth and creativity.
Read More »Beyond the Big Top: Contemporary Circus & Compagnie XY’s ‘It’s Not Yet Midnight…’
Roundhouse circus producer David Pitt on Compagnie XY's 'It's Not Yet Midnight...' and what to expect from contemporary circus.
Read More »Montagues and Capulets, CoLab Theatre -Review
Great for under-25 fans of rushing about and 90s rave culture.
Read More »Miss Nightingale, The Vaults – Review
A fabulous British musical romp that blazes like the Blitz with enough gusto and innuendo to make a Nazi blush!
Read More »Expensive Shit, Soho Theatre – Review
Pros: The message about objectification of women is powerful and originally conveyed. Cons: The parts spoken with a Nigerian accent might be harder to understand for those who don’t speak English as a first language. The objectification of female bodies is deeply ingrained in any society, regardless of continent or hemisphere. Whether in Europe, Africa, or elsewhere, a woman is often called to face situations where her qualities and dignity are overshadowed by her physical features. The wolf-whistling and out-loud ...
Read More »This Joint is Jumpin’, The Other Palace – Review
A ninety minute celebration of the music and life of jazz icon Fats Waller.
Read More »Macbeth, Jack Studio Theatre – Review
A bit of Shakespeare that is well worth a watch, even if just to hear the verse in Scottish. (Note: not all cast use a Scottish accent)
Read More »Sublime, Tristan Bates Theatre – Review
A slow build to an unsatisfying end.
Read More »Posh, Pleasance Theatre – Review
A depressingly spot-on portrayal of the workings of the British establishment.
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