Spoofing for Gordon, The Hen and Chickens Theatre – Review
Pros: Some laughs and an interesting plot line.
Cons: Lacked pace and rhythm, and was trying to be a bit too clever for its own good. An eye-catching story that suffered from awkward writing and limp production.
summary
rating
Poor
It seems a lot of people make pacts when theyāre younger. I once made a pact with the devil that heād take my soul if I ever wrote down the phrase: āMichael Buerk likes spaghetti down his trousers.ā Shit. In Kinkyfishās play Spoofing for Gordon at The Hen and Chickens, the four characters had made an equally disturbing, but perhaps more understandable agreement.
The action takes place in the kitchen of Gordon, one-fifth of a group of old friends who – for various reasons – have drifted apart. The four others are congregating around the dining table, with Gordon nowhere to be seen: thereās Simon – a nervous ponytailed pinko; Suzie – a genial Scot; Chris – an Italian with toilet trouble; and Adam – the aggressive City type. Theyāre obviously there for a reason, and itās obviously something important to reunite them after all these years. Are they the last five users of MySpace?
No. Itās actually an important act, which one of the four in the kitchen must perform. And to choose, they must āspoofā. I admit, I hadnāt come across this term – I was rather looking forward to an evening of ex-Labour Leader impressions – what you do is you hold some coins out in your hand and other people guess how many youāve got. Or something like that. The rules werenāt made clear.
What was made clear were the different agendas each character had. Almost too clear. There was a moment where Suzie and Simon were talking, and Simon said, āDo you remember whenā¦ā and proceeded to describe a moment in the past that Suzie evidently did remember. Itās one of those eggy inserts you know are designed to give you as an audience member some important information – it just couldāve been communicated more naturally and subtly.
There were other moments that lacked in the subtlety department. There were lots of obvious tensions and history between the characters – swarthy glares galore. I realise the writer here was, admirably, trying to add richness and depth to the characters, but I felt it was too intricate for an hour-long play and meant that the captivating set-up was neglected somewhat. There were pregnant pauses where there should have been great dramatic tension, and when things did get going the performances lacked the required emotion.
All in all it was an interesting idea that wasnāt executed particularly well. It looked professional – there was a nice touch with a painted-on clock giving the sense that the room was being decorated – and there were some genuinely funny moments amongst the chalk and cheese characters. The twist, when it came, was fairly intriguing – but again, the way it was built up didnāt feel natural.
When you donāt have any new characters being introduced during the play, or any new occurrence that can affect the characters, itās very hard for their story lines to shift and progress in an engaging way. Spoofing for Gordon felt exactly that: static and without any agent propelling it forward. A shame, because it certainly meant well.
Author: Duncan Battman
Director: Rajan Sharma
Producer: Kinkyfish
Showing: 12-16th August 2014
Box Office: www.unrestrictedview.co.uk