Two well-acted plays for the price of one, with the second a lot stronger in storyline and character portrayal.
Read More »Monthly Archives: April 2014
Nina Kristofferson’s Billie Holiday Story, New Wimbledon Theatre – Review
Intelligent, moving and soulful show intertwining music and drama.
Read More »Lucy Hopkins: Le Foulard, Tristan Bates Theatre – Review
Completely charming, captivating and hilarious - I haven’t laughed like this in a long while.
Read More »Three Sisters – Southwark Playhouse – Review
A strong cast helps to make the relationships believable but I struggled to fully believe that the drama was unfolding during modern times. With so much technology it is hard to grasp the reasons why the sisters could not just up and leave.
Read More »Othello, Leicester Square Theatre – Review
A strong production which brings Shakespeare's lines to life with just talent and lighting.
Read More »In This House (A Family Breakdown), The Space Arts Centre – Review
A well written, immaculately acted drama that deals with a disturbing subject matter. Energetic direction.
Read More »The Beautiful Game, Union Theatre – Review
A show that captures the youthful exuberance and struggles of growing up in The Troubles but with some weak writing and music.
Read More »My First Ballet: Coppélia, Peacock Theatre – Review
A great show for the family, particularly enchanting for any future ballerinas with talented dancers adding interest for older audience members.
Read More »The Man Who Committed Thought, Tristan Bates Theatre – Review
A compelling one-man-show that asks urgent and frank questions about issues facing Africa and the relationship the continent has with the West.
Read More »Podcast Reading: Scottish Widows by Grae Cleugh
We are proud to present a Scripts Spotlight: Podcast Reading of a monologue from Scottish Widows by Grae Cleugh.
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