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Yearly Archives: 2013

The Spanish Tragedy, Blue Elephant Theatre – Review

Thomas Kyd Directed by Ricky Dukes ★★★★ Pros: An easy to understand, highly watchable production of this Elizabethan play edited down to an hour and a half and performed by a highly skilled cast. Cons: Unusual lighting choices, constant smoke and a hot theatre made for a somewhat uncomfortable viewing experience. Our Verdict: The quick pace, use of physical performance, modern costumes and well-crafted performances make this production by one of Shakespeare’s contemporaries a refreshing alternative to typical classical theatre ...

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She Writes: What’s Through the Door, Canal Café Theatre – Review

Presented by 17% in association with Canal Café TheatreDirected by Amy Clare Tasker ★★★★ Loosing Light by Whoop ‘n ‘Wail The Audition by Sam Hall The Fourth Circle by Hehir  Pros: Three plays in one, each delightful and mysterious. The pieces are beautifully and intelligently connected by an overarching narrative. Cons: I think this piece could have benefited from more playing space. It could do with a bigger theatre where the central and integral set piece, a green door, could be ...

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The Memoirs of Lucy Bell, The Space – Review

Hope Murphy-NantonDirected by Hope Murphy-Nanton★★★ Pros: If you like jazz standards played live, you’ll like this show. Cons: Some practical matters, such as sightlines, don’t seem to have been thought out completely. Our Verdict: An interesting, if uneven, love letter to ‘Lady Ella’. Courtesy of The Space Anyone who’s been to Edinburgh will recognise the one man/woman show where the actor addresses the audience. This show’s unique selling point is that the lead character relates how she met and was ...

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Island State, Waterloo East Theatre – Review

Written and directed by Dom Riley★ Pros: A bold premise and some nice evocative background shots in between acts. Cons: Poorly staged and lacking any real pace, excitement, or pertinence. Our Verdict: A one-dimensional show that – in part owing to the misgivings of the venue – failed to create a connection with the audience.  Courtesy of Richard Davenport and Waterloo East We’ve all been there: settling down to watch this year’s hottest new film, when BAM! The aggressive music. ...

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Stranger, Albany Theatre – Review

by Aorta Theatre Collective & Life ArtCo-directed by Rob Hale & Phan Y’LyScenography by Paul Burgess★★★ Pros: Instant connection with the audience by the performers. Language or culture differences ceased to exist. Cons: The show requires comprehensive effort to enjoy it, due to the different performing techniques employed. Our Verdict: Intuitive and groundbreaking take on social norms and gender exploration. Very moving. Courtesy of Albany Theatre Stranger is a groundbreaking, abstract piece of improvised acting brought to the stage by ...

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Othello, National Theatre – Review

William Shakespeare Directed by Nicholas Hytner ★★★★ Pros: One of the clearest productions of Othello I have seen. Had the whole audience on the edge of their seat for the whole 3 hours and 15 minutes. Cons: Rory Kinnear plays Iago with an accent that doesn’t sit well for some reason. Our Verdict: Shakespeare’s finest characters played by Britain’s finest actors and helmed by one of theatre’s finest directors. Courtesy of The Independent We at Everything Theatre have seen quite ...

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Love N Stuff, Theatre Royal Stratford East – Review

Tanika Gupta Directed by Kerry Michael ★★★ Pros: Slick, technically excellent and a text-book example of how to present a huge range of characters with very few actors. Cons: Hard to develop an emotional attachment to the piece.  Our Verdict: A gently enjoyable insight into a 35 year-old marriage where one partner makes a radical decision. Quite funny, extremely well executed, but lacking in tension which stops it from being truly engaging. Credit: Robert Day Love N Stuff is a ...

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A Midsummer Night’s Dream, Noel Coward Theatre – Review

William ShakespeareDirected by Michael Grandage ★★★★★  Pros: A lavish, contemporary, comical production with an outstanding cast. The relatable interpretation succeeded in bringing this play full of fairies and spells to a wide and appreciative audience. Cons: I’m grasping at straws, but Padraic Delaney as Oberon/Theseus is a little less commanding than I expected from the king of the fairies/Duke of Athens. Our Verdict: Grandage’s interpretation proves the timelessnes of Shakespeare’s writing. Don’t be put off if you are not a ...

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