Jermyn Street Theatre Mary’s Babies is inspired by true events.  From the 1940s through to the early 60s, Mary Barton and Bertold Wiesner ran a London-based private fertility clinic.  Medically ground breaking at the time, they assisted in the conception and birth of well over a thousand children, known collectively as the ‘Barton Brood’.  At the time, there was no statutory framework covering such procedures and with the clinic insisted upon absolute secrecy, all records were destroyed.  Regulations were introduced ...

It seems every time you step into Jermyn Street Theatre you step back in time.  Tonight, we are transported to around 1900. It’s a time when a woman separated from her husband would be perceived as damaged goods. It’s also a time when any play challenging perceived acceptable behaviour would likely be banned. It’s possibly because of this fact that writer Harley Granville Barker never let this play be performed.  Instead it sat collecting dust for over one hundred years, ...

Such was the reaction to last year’s Reggies, we felt compelled to beg Brian to stage a sequel; so yes, we are proud to announce that the Reggies are back. Newly expanded to a ridiculously comprehensive seven categories, it’s a barometer of the best in London theatre during 2018. There may be only one person bestowing the Reggies, but there is a slavish dedication to fairness; sleepless nights agonising over who should be in, who should be out; yes Brian ...

Pros: A wonderfully talented cast happily connecting with the audience. Cons: Multiple characters and minimal costume changes occasionally makes the action difficult to follow. The story of Burke and Hare has been regularly plundered for TV dramas, documentaries and two big screen versions, the most recent of which starred Andy Serkis and Simon Pegg. It’s not difficult to see why, as it remains a cracking yarn based on true events. The play tells of the titular characters that embarked on ...

Pros: An engrossing war story brilliantly told by a two man cast. Cons: A disappointingly camp cabaret section at the start of Act II looks out of place and disturbs the story’s tone. There are subtle reminders that November has arrived: the clocks go back, street lights flicker into life earlier and Christmas adverts creep onto TV screens. Another permanent reminder is Remembrance Sunday. Billy Bishop Goes To War gives a very personal account of the titular character, told by his ...

Strong performances illuminate a script that promises more than it delivers.

Pros: The beautifully written script and the performances of Sinead Cusack and Michael Cardone, closely followed by the remainder of the cast. Cons: Very, very occasionally, there was a slight tendency towards Porridge like characterisation. Calling herself a ‘Victorian do-gooder’, Lady Anne Tree conducted a long campaign to be allowed to teach prisoners skills through which they could have paid work whilst in prison and improved prospects upon their release.  Her proposal was approved as late as 1992, and the ...

This revival of a 1935 play can be better appreciated for its historical value, rather than its appeal to modern tastes.

Both plays are sharply observed and well written but thank god for St. Hilda who lightened an otherwise sombre mood.

Worth seeing for the performance, but the show overall left me cold.