This uniquely theatrical and highly emotive production manages to be at once both epic and personal. 

Boisterous and engaging, but the modern setting does heighten awareness of the play’s anachronistic morality.

An earnest and thought-provoking story of loneliness and uncertainty, seen through the young eyes of a gay man.

Pretentious, self-indulgent pop culture that owes little to the principles of performing arts.

A rollicking sashay through a soundscape of popular music via the medium of the human voice.

A touching, enriching and intimate portrait of lasting love.

Pros: A very different performance from an actress at the top of her game, in a venue that deserves all the support it can get. Cons: The intensity and non-stop momentum of this play might not be to everyone’s taste My only previous visit to the Battersea Arts Centre never transpired, as the show I expected to see was relocated following the fire that caused so much damage. So upon arriving tonight, the last thing I wanted to hear was the ...

A lively, funny and gloriously refreshing piece of new writing; a joy to witness from start to finish

A clever but dark journey into fairyland, guided by an intriguing storyteller.

Pros: The variation in this cabaret offering means even that if one act isn’t quite your thing, the next will be along in just a few minutes. Cons: Slightly let down by what appeared a total lack of organisation beforehand, with the advertised start time, already late, missed by almost 30 minutes, and the audience left queuing with no clue what was happening. Hotel Black Cat, part of London Wonderground’s season, is a full-throttle mixture of cabaret, circus, music and adult pantomime, ...