Pros: The second show, Guy, is enough to make the whole evening worthwhile Cons: With such contrast between the two shows, a question mark has to be put over the decision to schedule these on the same evening The Bunker’s remit is new contemporary theatre, and with its short Breaking Out Season it is certainly meeting that. Six shows rotating over a month is a great introduction to these emerging theatre groups.  Two shows each night, with the chance to ...

Pros: A brilliantly constructed set is a visually stunning accompaniment to the play. Cons: The disappointingly clipped nine episode format slows the plot down far too often for its own good. The Almeida is one of my favourite theatres so I pounced on the opportunity to see Machinal, by Sophie Treadwell. Both play and author were unfamiliar to me; stylistically Treadwell has apparently been compared to Virginia Woolf and is viewed as a leading purveyor of expressionism. The play, written in 1928, ...

Pros: Brilliant and politically sensitive script, fantastic cast and great direction Cons: Nothing to report A joint research report from Community Care and UNISON from 2016 found that social workers are suffering increasing emotional distress and verbal abuse in their routine work as a consequence of staff shortages and budget cuts. According to the paper the vast majority (80%) reported that during a typical working day they suffered emotional distress, while 40% also described being verbally abused. These numbers represented an increase on ...

A wonderfully acted two-hander with expansive dialogue allowing the characters to develop and flourish.

Amateur in name only, this musical can’t fail to delight an audience seeking a night out without having to venture into central London.

Baffling play that attempts to link affairs in two time periods.

Two enjoyable short plays highlighting the difficulties encountered by people who are different from the majority. Both need refining and a bit more development to explore fully the many questions raised.

An interesting view of the finance world from the perspective of one of their “fallen angels.”

The play will transport you into a world you didn’t even realise existed, whilst spray painting London in colour.

Pros: Strong performances from Sarah Malin and Chris Polik. Cons:  The hard benches…OK for an hour though. The End of History was developed following an invitation by the Rector of St Giles’ who wanted to illuminate the past and present of the church and its local neighbourhood.  This is done via the two characters, Wendy (Sarah Malin) and Paul (Chris Polik), who reveal their back stories and current circumstances by way of narrative and songs.  They are both Londoners, either ...